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Rice University

Morton Feldman's clarinet works: A study through the words of the note man

Abstract

dc:description.abstract

Morton Feldman's writings, lectures, and interviews reveal a unified and consistent compositional drive towards a static musical rhetoric, or, to use his term, Time Undisturbed. Essential to his outlook was the notion of orchestration as the primary compositional determinant: Feldman's starting point was not a theme in the conventional sense, but the sound of a particular instrument playing a particular note. His works for clarinet--- Two Pieces for Clarinet and String Quartet (1961), Three Clarinets, Cello, and Piano (1971), Bass Clarinet and Percussion (1981), and Clarinet and String Quartet (1983) cover the major periods of Feldman's career. As such, they are touchstone works for studying the evolution of Feldman's methods; because they share the clarinet in common, they provide an ideal means for studying Feldman's abiding pre-occupation with timbre as his primary material. Feldman's unique notational styles vary considerably from piece to piece, but he strategically orients each in such a way as to pursue his fundamental goal of Time Undisturbed. Feldman is the rare composer where verbal intention and musical means form an unshakable and poetic bond. Drawing on Feldman's writings and close analyses of the scores, this paper will demonstrate how all of these works reflect Feldman's central concerns, drawing on the potentials of their respective orchestrations to articulate Feldman's unique musical vision.

Degree

thesis:*
Name thesis:degree_name
Doctor of Musical Arts
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Music
Grantor
Rice University
Year dc:date.issued
2010

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Nelson, Matthew Phillip
Advisor dc:contributor.advisor
  • Brandt, Anthony K.

Subjects

dc:subject × 3

Rights

dc:rights
Statement dc:rights
  • Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/1911/62094
OAI identifier oai:identifier
oai:repository.rice.edu:1911/62094

Chain of custody

source
Harvested from
Rice University
Base URL
repository.rice.edu/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Nelson, Matthew Phillip. Morton Feldman's clarinet works: A study through the words of the note man. Doctoral thesis, Rice University, 2010. https://hdl.handle.net/1911/62094