{"id":{"repo_id":"rice","oai_identifier":"oai:repository.rice.edu:1911/62028"},"canonical_url":"https://search.dev.ndltd.org/etd/rice/oai:repository.rice.edu:1911/62028","repository":{"repo_id":"rice","name":"Rice University","base_url":"https://repository.rice.edu/server/oai/request"},"display":{"title":""Strange Attractors" for orchestra","abstract":"In mathematics, a strange attractor is a self-referencing, dynamical system which evolves over time into a subtle, complex pattern. It walks a fine line between complete regularity and utter chaos, never repeating itself exactly but always cyclically haunting the same paths. Like these transient mathematical forms, the instrumental lines in Strange Attractors possess contours, shapes, and melodies which recur in recognizable patterns throughout the piece, yet never twice repeat themselves in the same way---they are ever changing, evolving, and expanding. The individual musical elements---such as the opening motif of the piccolo and celesta, the asymmetrical rhythmic pattern of the winds and strings immediately following, as well as the descending figure found in the violas and cellos at the conclusion of the first climax---together provide a dynamic and organic whole which is esthetically greater than a simple linear addition of their parts.","abstract_html":"In mathematics, a strange attractor is a self-referencing, dynamical system which evolves over time into a subtle, complex pattern. It walks a fine line between complete regularity and utter chaos, never repeating itself exactly but always cyclically haunting the same paths. Like these transient mathematical forms, the instrumental lines in Strange Attractors possess contours, shapes, and melodies which recur in recognizable patterns throughout the piece, yet never twice repeat themselves in the same way---they are ever changing, evolving, and expanding. The individual musical elements---such as the opening motif of the piccolo and celesta, the asymmetrical rhythmic pattern of the winds and strings immediately following, as well as the descending figure found in the violas and cellos at the conclusion of the first climax---together provide a dynamic and organic whole which is esthetically greater than a simple linear addition of their parts.","abstract_has_math":false,"creators":["Bryant, Alexandra Tyler"],"institution":"Rice University","degree_name":"Master of Music","degree_level":"Masters","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Gottschalk, Arthur W."],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010","date_published":"2010","updated_at":"2026-07-24T04:10:24Z","subjects":["Music"],"languages":["eng"],"rights":["Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/1911/62028","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Gottschalk, Arthur W."]},{"key":"dc:creator","label":"Author","values":["Bryant, Alexandra Tyler"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2011-07-25T02:05:27Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2011-07-25T02:05:27Z"]},{"key":"dc:date.issued","label":"Date","values":["2010"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Music"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Rice University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright is held by the author, unless otherwise indicated. 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Like these transient mathematical forms, the instrumental lines in Strange Attractors possess contours, shapes, and melodies which recur in recognizable patterns throughout the piece, yet never twice repeat themselves in the same way---they are ever changing, evolving, and expanding. The individual musical elements---such as the opening motif of the piccolo and celesta, the asymmetrical rhythmic pattern of the winds and strings immediately following, as well as the descending figure found in the violas and cellos at the conclusion of the first climax---together provide a dynamic and organic whole which is esthetically greater than a simple linear addition of their parts."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":[""Strange Attractors" for orchestra"]}]}],"canonical_facts":{"dc:contributor.advisor":["Gottschalk, Arthur W."],"dc:creator":["Bryant, Alexandra Tyler"],"dc:date.accessioned":["2011-07-25T02:05:27Z"],"dc:date.available":["2011-07-25T02:05:27Z"],"dc:date.issued":["2010"],"dc:description.abstract":["In mathematics, a strange attractor is a self-referencing, dynamical system which evolves over time into a subtle, complex pattern. It walks a fine line between complete regularity and utter chaos, never repeating itself exactly but always cyclically haunting the same paths. Like these transient mathematical forms, the instrumental lines in Strange Attractors possess contours, shapes, and melodies which recur in recognizable patterns throughout the piece, yet never twice repeat themselves in the same way---they are ever changing, evolving, and expanding. The individual musical elements---such as the opening motif of the piccolo and celesta, the asymmetrical rhythmic pattern of the winds and strings immediately following, as well as the descending figure found in the violas and cellos at the conclusion of the first climax---together provide a dynamic and organic whole which is esthetically greater than a simple linear addition of their parts."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/1911/62028"],"dc:language.iso":["eng"],"dc:rights":["Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder."],"dc:subject":["Music"],"dc:title":[""Strange Attractors" for orchestra"],"dc:type":["Thesis"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Music"],"thesis:institution_name":["Rice University"]},"updated_at":"2026-07-24T04:10:24Z"}