{"id":{"repo_id":"rice","oai_identifier":"oai:repository.rice.edu:1911/14025"},"canonical_url":"https://search.dev.ndltd.org/etd/rice/oai:repository.rice.edu:1911/14025","repository":{"repo_id":"rice","name":"Rice University","base_url":"https://repository.rice.edu/server/oai/request"},"display":{"title":"Acting space.....following the line: Architectures of the drawing act","abstract":"This thesis maps out four lines of thought which propose drawing as the material practice of architecture. The first line follows the clockwork diagram that underlies the whole of time, space, and therefore, drawing systems within Western culture. The second line follows the effect the clockwork had upon developing projective drawing systems, and how these techniques of drawing were essential in producing architecture as an autonomous, remote profession. The third line of the thesis develops a philosophy of the drawing act or the performative diagram, which opposes itself to the rationalized time and space of the clockwork drawing systems by insisting on the real time of the act. The fourth line of thought in the thesis, which encompasses all other lines and is continually constructing itself, involves the various acting spaces or drawing acts produced through operating within the material practice of following the line.","abstract_html":"This thesis maps out four lines of thought which propose drawing as the material practice of architecture. The first line follows the clockwork diagram that underlies the whole of time, space, and therefore, drawing systems within Western culture. The second line follows the effect the clockwork had upon developing projective drawing systems, and how these techniques of drawing were essential in producing architecture as an autonomous, remote profession. The third line of the thesis develops a philosophy of the drawing act or the performative diagram, which opposes itself to the rationalized time and space of the clockwork drawing systems by insisting on the real time of the act. The fourth line of thought in the thesis, which encompasses all other lines and is continually constructing itself, involves the various acting spaces or drawing acts produced through operating within the material practice of following the line.","abstract_has_math":false,"creators":["Kroeckel, Mark Roderick"],"institution":"Rice University","degree_name":"Master of Architecture","degree_level":"Masters","degree_discipline":"Architecture","degree_department":null,"school":null,"contributors":[],"advisors":["Chang, Yung-Ho"],"committee_chairs":[],"committee_members":[],"year":1996,"date_issued":"1996","date_published":"1996","updated_at":"2026-07-24T04:10:34Z","subjects":["Architecture"],"languages":["eng"],"rights":["Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/1911/14025","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Chang, Yung-Ho"]},{"key":"dc:creator","label":"Author","values":["Kroeckel, Mark Roderick"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2009-06-04T00:22:56Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2009-06-04T00:22:56Z"]},{"key":"dc:date.issued","label":"Date","values":["1996"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Architecture"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Architecture"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Rice University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Architecture"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright is held by the author, unless otherwise indicated. 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The third line of the thesis develops a philosophy of the drawing act or the performative diagram, which opposes itself to the rationalized time and space of the clockwork drawing systems by insisting on the real time of the act. 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The second line follows the effect the clockwork had upon developing projective drawing systems, and how these techniques of drawing were essential in producing architecture as an autonomous, remote profession. The third line of the thesis develops a philosophy of the drawing act or the performative diagram, which opposes itself to the rationalized time and space of the clockwork drawing systems by insisting on the real time of the act. The fourth line of thought in the thesis, which encompasses all other lines and is continually constructing itself, involves the various acting spaces or drawing acts produced through operating within the material practice of following the line."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/1911/14025"],"dc:language.iso":["eng"],"dc:rights":["Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder."],"dc:subject":["Architecture"],"dc:title":["Acting space.....following the line: Architectures of the drawing act"],"dc:type":["Thesis"],"thesis:degree_discipline":["Architecture"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Architecture"],"thesis:institution_name":["Rice University"]},"updated_at":"2026-07-24T04:10:34Z"}