{"id":{"repo_id":"rice","oai_identifier":"oai:repository.rice.edu:1911/13931"},"canonical_url":"https://search.dev.ndltd.org/etd/rice/oai:repository.rice.edu:1911/13931","repository":{"repo_id":"rice","name":"Rice University","base_url":"https://repository.rice.edu/server/oai/request"},"display":{"title":"Aesthetic detail in the works of Nella Larsen","abstract":"In the novellas Quicksand and Passing, Nella Larsen uses the often maligned detail to explore issues of gender, race, and sexuality. Female body parts, women's clothing, and skin color are particularly reiterated and fetishized. These evocative descriptions function symbolically and at times act as a counternarrative. Larsen's attempts to create a personal aesthetic are sometimes undercut by the text's alliance with hegemonic standards of beauty and commodification.","abstract_html":"In the novellas Quicksand and Passing, Nella Larsen uses the often maligned detail to explore issues of gender, race, and sexuality. Female body parts, women's clothing, and skin color are particularly reiterated and fetishized. These evocative descriptions function symbolically and at times act as a counternarrative. Larsen's attempts to create a personal aesthetic are sometimes undercut by the text's alliance with hegemonic standards of beauty and commodification.","abstract_has_math":false,"creators":["Brown, Rebecca Elizabeth"],"institution":"Rice University","degree_name":"Master of Arts","degree_level":"Masters","degree_discipline":"Humanities","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1995,"date_issued":"1995","date_published":"1995","updated_at":"2026-07-24T04:10:21Z","subjects":["Women's studies"],"languages":["eng"],"rights":["Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/1911/13931","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Brown, Rebecca Elizabeth"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2007-05-09T18:24:03Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2007-05-09T18:24:03Z"]},{"key":"dc:date.issued","label":"Date","values":["1995"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Humanities"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Rice University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Women's studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright is held by the author, unless otherwise indicated. 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Larsen's attempts to create a personal aesthetic are sometimes undercut by the text's alliance with hegemonic standards of beauty and commodification."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Aesthetic detail in the works of Nella Larsen"]}]}],"canonical_facts":{"dc:creator":["Brown, Rebecca Elizabeth"],"dc:date.accessioned":["2007-05-09T18:24:03Z"],"dc:date.available":["2007-05-09T18:24:03Z"],"dc:date.issued":["1995"],"dc:description.abstract":["In the novellas Quicksand and Passing, Nella Larsen uses the often maligned detail to explore issues of gender, race, and sexuality. Female body parts, women's clothing, and skin color are particularly reiterated and fetishized. These evocative descriptions function symbolically and at times act as a counternarrative. Larsen's attempts to create a personal aesthetic are sometimes undercut by the text's alliance with hegemonic standards of beauty and commodification."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/1911/13931"],"dc:language.iso":["eng"],"dc:rights":["Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder."],"dc:subject":["Women's studies"],"dc:title":["Aesthetic detail in the works of Nella Larsen"],"dc:type":["Thesis"],"thesis:degree_discipline":["Humanities"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Arts"],"thesis:institution_name":["Rice University"]},"updated_at":"2026-07-24T04:10:21Z"}