{"id":{"repo_id":"rice","oai_identifier":"oai:repository.rice.edu:1911/13827"},"canonical_url":"https://search.dev.ndltd.org/etd/rice/oai:repository.rice.edu:1911/13827","repository":{"repo_id":"rice","name":"Rice University","base_url":"https://repository.rice.edu/server/oai/request"},"display":{"title":"Stylistic transformation in the chansons of Antoine Busnois (France)","abstract":"The transmission of the majority of Antoine Busnois's chansons into Italian sources suggests the composer may have visited the country and may have assimiliated musically Italiante characteristics into his compositional style. An analysis of the chansons shows that although a slight style change does occur in the chansons disseminated into Italian sources, this change is not necessarily Italiante in nature.","abstract_html":"The transmission of the majority of Antoine Busnois's chansons into Italian sources suggests the composer may have visited the country and may have assimiliated musically Italiante characteristics into his compositional style. An analysis of the chansons shows that although a slight style change does occur in the chansons disseminated into Italian sources, this change is not necessarily Italiante in nature.","abstract_has_math":false,"creators":["Dalton, Dana Lee"],"institution":"Rice University","degree_name":"Master of Music","degree_level":"Masters","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Meconi, Honey"],"committee_chairs":[],"committee_members":[],"year":1994,"date_issued":"1994","date_published":"1994","updated_at":"2026-07-24T04:10:41Z","subjects":["Music"],"languages":["eng"],"rights":["Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/1911/13827","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Meconi, Honey"]},{"key":"dc:creator","label":"Author","values":["Dalton, Dana Lee"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2009-06-04T00:09:53Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2009-06-04T00:09:53Z"]},{"key":"dc:date.issued","label":"Date","values":["1994"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Music"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Rice University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright is held by the author, unless otherwise indicated. 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An analysis of the chansons shows that although a slight style change does occur in the chansons disseminated into Italian sources, this change is not necessarily Italiante in nature."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Stylistic transformation in the chansons of Antoine Busnois (France)"]}]}],"canonical_facts":{"dc:contributor.advisor":["Meconi, Honey"],"dc:creator":["Dalton, Dana Lee"],"dc:date.accessioned":["2009-06-04T00:09:53Z"],"dc:date.available":["2009-06-04T00:09:53Z"],"dc:date.issued":["1994"],"dc:description.abstract":["The transmission of the majority of Antoine Busnois's chansons into Italian sources suggests the composer may have visited the country and may have assimiliated musically Italiante characteristics into his compositional style. 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