{"id":{"repo_id":"rice","oai_identifier":"oai:repository.rice.edu:1911/13556"},"canonical_url":"https://search.dev.ndltd.org/etd/rice/oai:repository.rice.edu:1911/13556","repository":{"repo_id":"rice","name":"Rice University","base_url":"https://repository.rice.edu/server/oai/request"},"display":{"title":"Typological transformation of Houston's Coliseum and Sam Houston Park","abstract":"Buildings as cultural tools, or their creators, continue to struggle to communicate with a media-induced, decentralized society. Buildings as either representational anachronisms or self-referential processes fail to remedy the situation by alienating or insulting the viewer. An alternative is sought which would avoid the absolute reductive qualities associated with the early modernists, whose internal focus ravaged the concept of a coherent urban field; the results of which still stand as isolated objects encouraged by the presence of the grid. 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