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Rice University

Metafictional aspects in the narrative of Miguel de Unamuno (Spain)

Abstract

dc:description.abstract

The present work is a study of metafictional aspects in three novels of Miguel de Unamuno. The first chapter provides a definition of metafiction and positions the idea of metafiction within the Spanish novel. This fictional concept is traced through the history of the Spanish novel beginning with its first appearance through its manifestation within the novels of Unamuno. In the second chapter, Unamuno's narrative style is described. The focus is placed on the author's own theory of the novel and on the metafictional elements of his style which illustrate him as an innovative novelist. A relevant way to understand the metafictional aspects in Unamuno's narrative is to analyze the fictional techniques that reflect the idea of metafiction in Niebla, Como se hace una novela, and San Manuel Bueno, martir. The function of the techniques is discussed in order to understand the innovations which Unamuno presents in these novels.

Degree

thesis:*
Name thesis:degree_name
Master of Arts
Level thesis:degree_level
Masters
Discipline thesis:degree_discipline
Humanities
Grantor
Rice University
Year dc:date.issued
1989

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Sandell, Shira Craig

Subjects

dc:subject × 1

Rights

dc:rights
Statement dc:rights
  • Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/1911/13389
OAI identifier oai:identifier
oai:repository.rice.edu:1911/13389

Chain of custody

source
Harvested from
Rice University
Base URL
repository.rice.edu/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Sandell, Shira Craig. Metafictional aspects in the narrative of Miguel de Unamuno (Spain). Masters thesis, Rice University, 1989. https://hdl.handle.net/1911/13389