{"id":{"repo_id":"rice","oai_identifier":"oai:repository.rice.edu:1911/104389"},"canonical_url":"https://search.dev.ndltd.org/etd/rice/oai:repository.rice.edu:1911/104389","repository":{"repo_id":"rice","name":"Rice University","base_url":"https://repository.rice.edu/server/oai/request"},"display":{"title":"Jean Auguste Dominique Ingres' Jupiter and Thetis","abstract":"The painting of Jupiter and Thetis was to be Ingres' vindication against previously hostile critics and the ultimate proof of his stature as a history painter. A definitive work in his oeuvre, it synthesizes all the intellectual, stylistic and visual influences to which he had so far been exposed. Ingres worked within the classical tradition, choosing his subject from Homer’s Iliad. The scene he chose to depict, however, was not one commonly represented and was inspired by an illustration by John Flaxman. His truly innovative achievement was in style, where he synthesized aspects of the linear treatment of Greek vase painting, illustrations of classical works and the style of Raphael. He studied a large number of relevant visual sources and used them as components of a new visual language. To understand Ingres' procedure is to comprehend his aesthetic beliefs. The Jupiter and Thetis expressed Ingres' ideals but was not appreciated by his contemporaries.","abstract_html":"The painting of Jupiter and Thetis was to be Ingres' vindication against previously hostile critics and the ultimate proof of his stature as a history painter. A definitive work in his oeuvre, it synthesizes all the intellectual, stylistic and visual influences to which he had so far been exposed. Ingres worked within the classical tradition, choosing his subject from Homer’s Iliad. The scene he chose to depict, however, was not one commonly represented and was inspired by an illustration by John Flaxman. His truly innovative achievement was in style, where he synthesized aspects of the linear treatment of Greek vase painting, illustrations of classical works and the style of Raphael. He studied a large number of relevant visual sources and used them as components of a new visual language. To understand Ingres' procedure is to comprehend his aesthetic beliefs. The Jupiter and Thetis expressed Ingres' ideals but was not appreciated by his contemporaries.","abstract_has_math":false,"creators":["Muntasser, Nayla Kabazi"],"institution":"Rice University","degree_name":"Master of Arts","degree_level":"Masters","degree_discipline":"Humanities","degree_department":null,"school":null,"contributors":[],"advisors":["Hallam, John S."],"committee_chairs":[],"committee_members":["Camfield, William A.","Grayson, Marion L."],"year":1985,"date_issued":"1985","date_published":"1985","updated_at":"2026-07-24T04:10:17Z","subjects":[],"languages":["eng"],"rights":["Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/1911/104389","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Hallam, John S."]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Camfield, William A.","Grayson, Marion L."]},{"key":"dc:creator","label":"Author","values":["Muntasser, Nayla Kabazi"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2018-12-18T21:22:13Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2018-12-18T21:22:13Z"]},{"key":"dc:date.issued","label":"Date","values":["1985"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Humanities"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Rice University"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/1911/104389"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The painting of Jupiter and Thetis was to be Ingres' vindication against previously hostile critics and the ultimate proof of his stature as a history painter. A definitive work in his oeuvre, it synthesizes all the intellectual, stylistic and visual influences to which he had so far been exposed. Ingres worked within the classical tradition, choosing his subject from Homer’s Iliad. The scene he chose to depict, however, was not one commonly represented and was inspired by an illustration by John Flaxman. His truly innovative achievement was in style, where he synthesized aspects of the linear treatment of Greek vase painting, illustrations of classical works and the style of Raphael. He studied a large number of relevant visual sources and used them as components of a new visual language. To understand Ingres' procedure is to comprehend his aesthetic beliefs. The Jupiter and Thetis expressed Ingres' ideals but was not appreciated by his contemporaries."]},{"key":"dc:title","label":"Title","values":["Jean Auguste Dominique Ingres' Jupiter and Thetis"]}]}],"canonical_facts":{"dc:contributor.advisor":["Hallam, John S."],"dc:contributor.committeemember":["Camfield, William A.","Grayson, Marion L."],"dc:creator":["Muntasser, Nayla Kabazi"],"dc:date.accessioned":["2018-12-18T21:22:13Z"],"dc:date.available":["2018-12-18T21:22:13Z"],"dc:date.issued":["1985"],"dc:description.abstract":["The painting of Jupiter and Thetis was to be Ingres' vindication against previously hostile critics and the ultimate proof of his stature as a history painter. A definitive work in his oeuvre, it synthesizes all the intellectual, stylistic and visual influences to which he had so far been exposed. Ingres worked within the classical tradition, choosing his subject from Homer’s Iliad. The scene he chose to depict, however, was not one commonly represented and was inspired by an illustration by John Flaxman. His truly innovative achievement was in style, where he synthesized aspects of the linear treatment of Greek vase painting, illustrations of classical works and the style of Raphael. He studied a large number of relevant visual sources and used them as components of a new visual language. To understand Ingres' procedure is to comprehend his aesthetic beliefs. The Jupiter and Thetis expressed Ingres' ideals but was not appreciated by his contemporaries."],"dc:identifier.uri":["https://hdl.handle.net/1911/104389"],"dc:language.iso":["eng"],"dc:rights":["Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder."],"dc:title":["Jean Auguste Dominique Ingres' Jupiter and Thetis"],"dc:type":["Thesis"],"thesis:degree_discipline":["Humanities"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Arts"],"thesis:institution_name":["Rice University"]},"updated_at":"2026-07-24T04:10:17Z"}