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Robert Gordon University

Art as a narrative of alterity.

Abstract

dc:description.abstract

There is a close relationship between art and philosophy. From time to time, philosophy attempts to make art its theme. Invariably it has to acknowledge the very qualities of art that it seeks to explain - arts elusiveness and its indeterminateness. On the other hand, it is the nature of art to philosophise within itself, about itself, and about the world. In this sense it operates as tacit philosophy. The language of art and the language of philosophy differ in form; but recent turns in philosophy have led to the expression of its truth in terms that transcend language and question its own epistemic structure. At the same time, art has always acknowledged its approach to truth and knowledge as being other to that epistemology. This otherness to traditional ways of knowing is recognised in philosophical discourse as alterity. The thesis posits that in art alterity has always been, and remains, tacit and integral to arts being. Thus, by exploring the ways in which “ through alterity “ art and philosophy intersect and interweave, the thesis aims to reveal a new kind of knowledge that transcends the rational and the empirical but is nonetheless not only valid, but of the very highest integrity. That knowledge is transmitted through a particular critical and creative approach to philosophy and to art that opens the possibility of the event of Alterity. The thesis uses a discourse of philosophy and critical theory to reveal Alterity in philosophy, principally through the work of Derrida, Heidegger, Adorno, and Levinas; Alterity in art through the works of Fra Angelico, Pollock, Fantin-Latour, Malevich, Vermeer, and Saitowitz; and Alterity in my own art practice through a set of six sculptures.

Degree

thesis:*
Name dc:type.qualificationname
PhD
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
Robert Gordon University
Year dc:date.issued
2006

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Grassom, Brian James
Advisor dc:contributor.advisor
  • John Baldacchino and Jeremy Diggle

Subjects

dc:subject × 7

Rights

Language dc:language
en

Identifiers

dc:identifier.*
Identifier
oai:rgu-repository.worktribe.com:247936
OAI identifier oai:identifier
oai:rgu-repository.worktribe.com:247936

Chain of custody

source
Harvested from
Robert Gordon University
Base URL
rgu-repository.worktribe.com/oaiprovider
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Grassom, Brian James. Art as a narrative of alterity.. Doctoral thesis, Robert Gordon University, 2006. https://rgu-repository.worktribe.com/247936/1/GRASSOM%202006%20Art%20as%20a%20narrative%20of%20alterity