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Faculty of Graduate Studies and Research, University of Regina

Sọ̀rọ̀-sókè: Unveiling the theatrics of justice and resistance in Nigeria's #EndSARS movement

Abstract

dc:description.abstract

The Sọ̀rọ̀-sókè movement, which emerged from the #EndSARS protests of 2020, marks a crucial moment in Nigeria’s resistance against systemic injustice. The Yoruba phrase “Sọ̀rọ̀-sókè” meaning “Speak Up” "or “Speak Louder,” became a unifying anthem, capturing the collective outcry against police brutality, particularly the abuses of the Special Anti-Robbery Squad (SARS) of the Nigeria Police Force. Employing Digital Artivism as its theoretical framework, this thesis explores the blending of art and activism within the Sọ̀rọ̀-sókè movement. It analyzes how creative expressions and performative elements served as powerful tools for mobilization, resistance, and reclaiming narratives. Grounded in Practice-Based Research (PBR), the study integrates the digital archive, artivism.ca, which documents #EndSARS protest artworks, with this written art-critical analysis that contextualizes their cultural and political significance. Utilizing Feldman’s Model of Art Criticism and Qualitative Content Analysis as methodological frameworks, the research examines the theatrical and performative elements of selected protest art. It investigates how these creative strategies amplified the movement’s message, challenged government narratives and united diverse populaces in the fight for justice. This study contributes to broader discourses on the intersection of art and social justice, positioning the Sọ̀rọ̀-sókè movement as a seminal example of how artivism can disrupt entrenched systems of oppression and inspire collective action. By critiquing and contextualizing protest artworks, this thesis highlights the enduring impact of the Sọ̀rọ̀-sókè movement on Nigeria’s sociopolitical landscape and its implications for global struggles against systemic violence and inequality. Additionally, it sheds light on the theatrical nature of activism and its transformative potential for societal change. Keywords: social movement; protest art; policing; digital artivism; online activism; digital archive; youth-led movements; artistic resistance

Degree

thesis:*
Name thesis:degree_name
Master of Arts (MA)
Discipline thesis:degree_discipline
Media and Artistic Research
Grantor dc:publisher
Faculty of Graduate Studies and Research, University of Regina
Year dc:date.issued
2025

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Gabriel, Friday Shina
Advisor dc:contributor.advisor
  • Afolabi, Taiwo
Committee member dc:contributor.committeemember
  • Douai, Aziz

Rights

Language dc:language.iso
en

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:uregina.scholaris.ca:10294/17113

Chain of custody

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Harvested from
University of Regina
Base URL
uregina.scholaris.ca/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Gabriel, Friday Shina. Sọ̀rọ̀-sókè: Unveiling the theatrics of justice and resistance in Nigeria's #EndSARS movement. Faculty of Graduate Studies and Research, University of Regina, 2025. https://hdl.handle.net/10294/17113