{"id":{"repo_id":"regina","oai_identifier":"oai:uregina.scholaris.ca:10294/16448"},"canonical_url":"https://search.dev.ndltd.org/etd/regina/oai:uregina.scholaris.ca:10294/16448","repository":{"repo_id":"regina","name":"University of Regina","base_url":"https://uregina.scholaris.ca/server/oai/request"},"display":{"title":"The things of now","abstract":"The Things of Now uses a blend of creative non-fiction and poetry to explore what it means to live in this contemporary moment. The work can be considered a memoir, one which is guided by Patricia’s Hampl’s insight that the self can be transformed into an instrument of observation. Covering aspects of my formative years living in post-apartheid South Africa, my time spent as a member of the professional managerial class in Cape Town as an adult, and my shift into economic precarity as a graduate student in Canada, the thesis touches upon my gradual awakening to the forces, both macro and micro, shaping my lived experience at this moment in time. To reflect the complex nature of contemporaneity, The Things of Now is multi-generic in structure, placing it within the realm of autotheory. By utilizing an autotheoretical approach, the manuscript, in the words of Lauren Fournier, can be seen to “exceed existing genre categories.” This allows me not only to examine how large-scale phenomena such as capitalism, colonialism, and global warming influence our present moment, but also how my own lived experience is intertwined and shaped by these forces. The work does not seek to provide any final conclusions regarding the questions it raises. Rather, it is meant to create a sense of disorientation in the reader, with a plethora of different perspectives converging to form an abstract whole that is nonetheless cogent in its inquest into the nature of the present.","abstract_html":"The Things of Now uses a blend of creative non-fiction and poetry to explore what it means to live in this contemporary moment. The work can be considered a memoir, one which is guided by Patricia’s Hampl’s insight that the self can be transformed into an instrument of observation. Covering aspects of my formative years living in post-apartheid South Africa, my time spent as a member of the professional managerial class in Cape Town as an adult, and my shift into economic precarity as a graduate student in Canada, the thesis touches upon my gradual awakening to the forces, both macro and micro, shaping my lived experience at this moment in time. To reflect the complex nature of contemporaneity, The Things of Now is multi-generic in structure, placing it within the realm of autotheory. By utilizing an autotheoretical approach, the manuscript, in the words of Lauren Fournier, can be seen to “exceed existing genre categories.” This allows me not only to examine how large-scale phenomena such as capitalism, colonialism, and global warming influence our present moment, but also how my own lived experience is intertwined and shaped by these forces. The work does not seek to provide any final conclusions regarding the questions it raises. Rather, it is meant to create a sense of disorientation in the reader, with a plethora of different perspectives converging to form an abstract whole that is nonetheless cogent in its inquest into the nature of the present.","abstract_has_math":false,"creators":["Kemp, Daniël Johannes"],"institution":"Faculty of Graduate Studies and Research, University of Regina","degree_name":"Master of Arts (MA)","degree_level":"Master's","degree_discipline":"Creative Writing and English","degree_department":null,"school":null,"contributors":[],"advisors":["Trussler, Michael"],"committee_chairs":[],"committee_members":["Riegel, Christian","Schnell, Melanie"],"year":2023,"date_issued":"2023-10","date_published":"2023-10","updated_at":"2026-07-24T04:03:43Z","subjects":[],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.82465/4711"],"render_values":[{"text":"https://doi.org/10.82465/4711","href":"https://doi.org/10.82465/4711","code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/10294/16448","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Trussler, Michael"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Riegel, Christian","Schnell, Melanie"]},{"key":"dc:creator","label":"Author","values":["Kemp, Daniël Johannes"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2024-10-11T17:55:50Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2024-10-11T17:55:50Z"]},{"key":"dc:date.issued","label":"Date","values":["2023-10"]},{"key":"dc:publisher","label":"Institution","values":["Faculty of Graduate Studies and Research, University of Regina"]},{"key":"dc:type","label":"Dc Type","values":["master thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Creative Writing and English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Faculty of Graduate Studies and Research, University of Regina"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.82465/4711"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10294/16448"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Creative Writing and English, University of Regina. v, 131 p."]},{"key":"dc:description.abstract","label":"Abstract","values":["The Things of Now uses a blend of creative non-fiction and poetry to explore what it means to live in this contemporary moment. 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By utilizing an autotheoretical approach, the manuscript, in the words of Lauren Fournier, can be seen to “exceed existing genre categories.” This allows me not only to examine how large-scale phenomena such as capitalism, colonialism, and global warming influence our present moment, but also how my own lived experience is intertwined and shaped by these forces. The work does not seek to provide any final conclusions regarding the questions it raises. Rather, it is meant to create a sense of disorientation in the reader, with a plethora of different perspectives converging to form an abstract whole that is nonetheless cogent in its inquest into the nature of the present."]},{"key":"dc:title","label":"Title","values":["The things of now"]}]}],"canonical_facts":{"dc:contributor.advisor":["Trussler, Michael"],"dc:contributor.committeemember":["Riegel, Christian","Schnell, Melanie"],"dc:creator":["Kemp, Daniël Johannes"],"dc:date.accessioned":["2024-10-11T17:55:50Z"],"dc:date.available":["2024-10-11T17:55:50Z"],"dc:date.issued":["2023-10"],"dc:description":["A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Creative Writing and English, University of Regina. v, 131 p."],"dc:description.abstract":["The Things of Now uses a blend of creative non-fiction and poetry to explore what it means to live in this contemporary moment. 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