Back to results

Queens University

Investigations into the Notion of Sculptors’ Drawings as a Type in Renaissance Tuscany

Abstract

dc:description.abstract

The notion of a sculptural type of drawing is often summarily included in critical literature. These references tend to be brief and regularly contradict one another. Furthermore, drawings made by Tuscan sculptors of the sixteenth century are often neglected altogether. This thesis investigates the notion of a sculptural type of drawing and attempts to understand more clearly the appearance and purpose of drawings made by sixteenth-century sculptors working in central Italy. In order to understand this notion, the history of drawings for sculpture and the literature related to them should be examined. Individual artists from whom a number of drawings survive must be studied separately before being related to one another as a group. This investigation utilizes several methodologies: the early history of drawings for sculpture is recreated from information contained in contemporary written documents and contracts; the literature related to the characterization of inherently sculptural qualities is reevaluated against the surviving visual material; the attributions made to lesser-known sixteenth-century sculptors are scrutinized; and, finally, the drawings executed by sculptors are placed in the broader context of sixteenth-century draughtsmanship. This investigation reveals that some drawings exhibit a functional approach that explores the challenges of preparing a three-dimensional work of art. Such an approach is, however, not unique to sculptors, whose drawings employ an approach that cannot be separated from those by painters. These similarities are significant because they reveal several misunderstandings concerning graphic characteristics often understood to be inherently sculptural, and a history of incorrect attributions based on these assumptions.

Degree

thesis:*
Department dc:contributor.department
Art History
Year dc:date.issued
2013

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Hicks, Ian
Advisor dc:contributor.supervisor
  • McTavish, David

Subjects

dc:subject × 2

Rights

Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/1974/8348
OAI identifier oai:identifier
oai:queensu.scholaris.ca:1974/8348

Chain of custody

source
Harvested from
Queens University
Base URL
qspace.library.queensu.ca/server/oai/request
Last updated
2026-07-27
Source record
OAI-PMH GetRecord
related terms
citation

Hicks, Ian. Investigations into the Notion of Sculptors’ Drawings as a Type in Renaissance Tuscany. 2013. http://hdl.handle.net/1974/8348