The strength of a knitted home: retrieving histories through Janet Morton's wool installations

This thesis focuses on the ways in which Janet Morton’s installations explore geographic and architectural spatial arrangements, and the ways in which these arrangements reproduce hierarchies of gender, race, and class. As cultural geographers and architectural historians have argued, and as I argue in the context of Morton’s work, architecture and geography exist in a reciprocal relationship with the social context in which they exist. Consequently, social histories that amass in politicized spaces referred to as “home,” such as gendered suburban houses, urban shelters, segregated neighbourhoods, are often marginalized. By discussing the way Morton’s work alludes to marginalized social and spatial histories within home environments, I demonstrate the ways that mainstream understanding of the subordination of marginalized groups is informed by sociospatial histories.

Department dc:contributor.department

Art History

Year dc:date.issued

2007

Author dc:creator

• Rothwell, Emily Jane

Advisors dc:contributor.supervisor

• Jessup, Lynda
• Lord, Susan

• Art
• Craft
• Social history
• Women
• Feminism
• Artists
• Knitting
• Architecture
• Homeless
• Urban cultural geography
• Space
• Gender

Language dc:language.iso

eng

Handle dc:identifier.uri

http://hdl.handle.net/1974/505

OAI identifier oai:identifier

oai:queensu.scholaris.ca:1974/505