Amazonification: A Warehouse Worker’s Manifesto
type: CreativeWork
description: This research-creation dissertation portfolio draws upon strategies of art-activism and uses a manifesto format to critique and subvert the exploitative labour practices of the Amazon corporation. Linked to each portfolio chapter is a custom-made, online 3D art project, or digital thinking object, in the shape of a globe that was created using the modelling platform SketchFab. Located on the Amazon “globe,” signifying the global nature of Amazon’s impact, are five different symbolic objects that function as entry points to the five manifesto essays of this dissertation, which include references and links to documentation of my anti-Amazon art practice. The introduction, “Amazonification: A Warehouse Worker’s Manifesto,” is represented through a palm tree, whose many leaves denote a network where shipping infrastructure is repurposed into sites for community-oriented acts of care. Chapter one, “Define Amazon” is symbolized by Danbo, Amazon’s “adorable” cardboard mascot whose “cuteness” obscures the violence of Amazon’s labour practices. In chapter two, “Seeing Orange,” symbolized through an orange ball, I make connections between Amazon’s orange mascot, Peccy, and prison jumpsuits, carcerality, and labour exploitation, and reclaim the colour as a colour of healing by invoking Orange Shirt Day in Canada, Buddhist robes, marigolds, and mehndi. In the third art manifesto chapter, “Peccy: the Fiction of a ‘Happy’ Worker,” I position the mascot’s eyes as the corporation’s surveillance infrastructure, and the mascot’s (non-gendered and non-raced) “blob” body as the dehumanization of Amazon’s predominantly racialized workers’ bodies. In the final manifesto essay, “Ongoing Struggle: Unionizing Environments in Chicago, Bessemer, and Minneapolis” the Amazon Workers’ International logo symbolizes the labour activism of Chicago’s DCH1, Bessemer’s BHM1, and Minneapolis’ MSP1 warehouse workers’ challenges for unionization between 2018 to 2021, activities crucial to resisting labou…
abstract: This research-creation dissertation portfolio draws upon strategies of art-activism and uses a manifesto format to critique and subvert the exploitative labour practices of the Amazon corporation. Linked to each portfolio chapter is a custom-made, online 3D art project, or digital thinking object, in the shape of a globe that was created using the modelling platform SketchFab. Located on the Amazon “globe,” signifying the global nature of Amazon’s impact, are five different symbolic objects that function as entry points to the five manifesto essays of this dissertation, which include references and links to documentation of my anti-Amazon art practice. The introduction, “Amazonification: A Warehouse Worker’s Manifesto,” is represented through a palm tree, whose many leaves denote a network where shipping infrastructure is repurposed into sites for community-oriented acts of care. Chapter one, “Define Amazon” is symbolized by Danbo, Amazon’s “adorable” cardboard mascot whose “cuteness” obscures the violence of Amazon’s labour practices. In chapter two, “Seeing Orange,” symbolized through an orange ball, I make connections between Amazon’s orange mascot, Peccy, and prison jumpsuits, carcerality, and labour exploitation, and reclaim the colour as a colour of healing by invoking Orange Shirt Day in Canada, Buddhist robes, marigolds, and mehndi. In the third art manifesto chapter, “Peccy: the Fiction of a ‘Happy’ Worker,” I position the mascot’s eyes as the corporation’s surveillance infrastructure, and the mascot’s (non-gendered and non-raced) “blob” body as the dehumanization of Amazon’s predominantly racialized workers’ bodies. In the final manifesto essay, “Ongoing Struggle: Unionizing Environments in Chicago, Bessemer, and Minneapolis” the Amazon Workers’ International logo symbolizes the labour activism of Chicago’s DCH1, Bessemer’s BHM1, and Minneapolis’ MSP1 warehouse workers’ challenges for unionization between 2018 to 2021, activities crucial to resisting labou…
author: Ali, Hiba
language: eng
keywords: Amazon, Labour, Mascots, Digital art, New media art, Healing, Manifesto, Racialized communities, Unions, Reappropriation, Research-creation
date published: 2024-03-19
date modified: 2026-07-27T20:35:43Z
provider: Queens University
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: Queens University

PropertyValue
property ID: Handle
value: https://hdl.handle.net/1974/32820