{"id":{"repo_id":"qucosa-diss","oai_identifier":"oai:qucosa:de:qucosa:23855"},"canonical_url":"https://search.dev.ndltd.org/etd/qucosa-diss/oai:qucosa:de:qucosa:23855","repository":{"repo_id":"qucosa-diss","name":"QUCOSA","base_url":"http://www.qucosa.de/oai/"},"display":{"title":"Shakespeare in China","abstract":"Since Shakespeare was introduced to China at the beginning of the 20th Century, the Chinese have translated the English playwright's plays and performed them on the Chinese stage either in the form of spoken drama or the traditional Chinese opera. No matter which approach is chosen to perform the dramatist, it is an intercultural form in introducing him to the Chinese.","abstract_html":"Since Shakespeare was introduced to China at the beginning of the 20th Century, the Chinese have translated the English playwright&#x27;s plays and performed them on the Chinese stage either in the form of spoken drama or the traditional Chinese opera. No matter which approach is chosen to perform the dramatist, it is an intercultural form in introducing him to the Chinese.","abstract_has_math":false,"creators":["Sun, Yanna"],"institution":"Technische Universität Dresden","degree_name":null,"degree_level":"thesis.doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":["Boeker, Uwe","Mohr, Hans-Ulrich","Huang, Alexander"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008-08-22","date_published":"2008-08-22","updated_at":"2026-07-24T03:56:55Z","subjects":["Shakespeare in China: reception","translation","and performance. Case studies: &amp;quot;Richard III&amp;quot;,&amp;quot;Hamlet&amp;quot; and &amp;quot;Much Ado About Nothing&amp;quot;.","Shakespeare in China: Aufnahme","Uebersetzung und Auffuehrung. &amp;quot;Richard III&amp;quot;","&amp;quot;Hamlet&amp;quot; and &amp;quot;Viel Laerm um Nichts&amp;quot;."],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Boeker, Uwe","Mohr, Hans-Ulrich","Huang, Alexander"]},{"key":"dc:creator","label":"Author","values":["Sun, Yanna"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:publisher","label":"Institution","values":["Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden","Technische Universität Dresden"]},{"key":"dc:type","label":"Dc Type","values":["doctoralThesis"]},{"key":"thesis:degree_level","label":"Degree Level","values":["thesis.doctoral"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Technische Universität Dresden"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Shakespeare in China: reception","translation","and performance. 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No matter which approach is chosen to perform the dramatist, it is an intercultural form in introducing him to the Chinese."]},{"key":"dc:title","label":"Title","values":["Shakespeare in China"]}]}],"canonical_facts":{"dc:contributor":["Boeker, Uwe","Mohr, Hans-Ulrich","Huang, Alexander"],"dc:creator":["Sun, Yanna"],"dc:description.abstract":["Since Shakespeare was introduced to China at the beginning of the 20th Century, the Chinese have translated the English playwright's plays and performed them on the Chinese stage either in the form of spoken drama or the traditional Chinese opera. No matter which approach is chosen to perform the dramatist, it is an intercultural form in introducing him to the Chinese."],"dc:publisher":["Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden","Technische Universität Dresden"],"dc:subject":["Shakespeare in China: reception","translation","and performance. 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