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Queen's University Belfast

Forms of dissent in the work of James Simmons and Padraic Fiacc: poetry, politics, and publishing in Northern Ireland, 1960-1980

Abstract

dc:description.abstract

This thesis examines forms of dissent in the work of James Simmons and Padraic Fiacc. It situates the two poets as important figures in the Northern Irish poetry scene of the 1960s and 1970s, and considers how their work deviates aesthetically from that of some of their better-known poetic contemporaries. I trace the lines of influence between Simmons, Fiacc, and peers such as Seamus Heaney, Derek Mahon, and Michael Longley, and, drawing also on a wide range of archival material, seek to offer new ways of reading early work by each of these poets. <br/><br/>Focussing on the period 1960-1980, I survey the publication histories of Simmons and Fiacc. Chapters on the poetry of each writer explore the politics of their reception, and posit formative influences on their work. I read an appeal for popularity—and the quest for a popular form—as central to the poetry of James Simmons. Turning to Padraic Fiacc, I argue that his poetry is informed by a recognition of language as contaminated by violence. Both poets, I suggest, see the distinction between 'art' and 'life' as porous, and both engage in a process of self-mythologization. In addition to analysing Simmons and Fiacc's own poetry, I consider their broader contributions to culture, specifically their respective editorships of the little magazine the Honest Ulsterman, and the anthology The Wearing of the Black. These publications mark attempts by the two writers to shape, rather than merely record, Northern Irish literary culture; I argue that both the magazine and the anthology merit critical reconsideration.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy
Level dc:type.qualificationlevel
Doctoral Thesis
Grantor dc:publisher.institution
Queen's University Belfast
Year dc:date.issued
2020

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • McEvoy, Tara
Advisors dc:contributor.advisor
  • Brearton, Fran
  • McConnell, Gail

Subjects

dc:subject × 12

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
oai:pure.qub.ac.uk/portal:studenttheses/e1aa4267-7823-4105-a436-fea4904e7f02
OAI identifier oai:identifier
oai:pure.qub.ac.uk/portal:studenttheses/e1aa4267-7823-4105-a436-fea4904e7f02

Chain of custody

source
Harvested from
Queen's University Belfast
Base URL
pureadmin.qub.ac.uk/ws/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

McEvoy, Tara. Forms of dissent in the work of James Simmons and Padraic Fiacc: poetry, politics, and publishing in Northern Ireland, 1960-1980. Doctoral Thesis thesis, Queen's University Belfast, 2020. https://pure.qub.ac.uk/en/studentTheses/e1aa4267-7823-4105-a436-fea4904e7f02