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Incorporated in this analysis is a consideration of the lifestyle of performers, performance itself, the philosophy of the milieu, and the folk club scene and how it operates.<br/><br/>Having established the contextual foundation for song in the English folk song revival I will then analyse the creative process of songwriting through its various but distinct stages. I will specifically focus on creativity and the compositional process as applied to song. This section will be in three parts; a study of four professional songwriters, an analysis of the creative process using myself as a case study and a synopsis of the significant points.","abstract_html":"This study focuses on Song. I intend to establish the aesthetic criteria by which song can be judged, to analyse the power of song to influence people&#x27;s perceptions, and to examine and illustrate the compositional process.&lt;br/&gt;&lt;br/&gt;I suggest that the context in which song is written and performed is vital to establishing the aesthetic criteria, and therefore I will analyse the phenomenon of the English folk song revival. Incorporated in this analysis is a consideration of the lifestyle of performers, performance itself, the philosophy of the milieu, and the folk club scene and how it operates.&lt;br/&gt;&lt;br/&gt;Having established the contextual foundation for song in the English folk song revival I will then analyse the creative process of songwriting through its various but distinct stages. I will specifically focus on creativity and the compositional process as applied to song. This section will be in three parts; a study of four professional songwriters, an analysis of the creative process using myself as a case study and a synopsis of the significant points.","abstract_has_math":false,"creators":["Taylor, Allan"],"institution":"Queen's University Belfast","degree_name":"Doctor of Philosophy","degree_level":"Doctoral Thesis","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Blacking, John"],"committee_chairs":[],"committee_members":[],"year":1993,"date_issued":"1993-7","date_published":"1993-7","updated_at":"2026-07-24T03:54:59Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://pure.qub.ac.uk/files/168468159/Side_B_poor_quality_at_the_beginning.mp3","https://pure.qub.ac.uk/files/168468160/Side_A.mp3","https://pure.qub.ac.uk/files/168468161/Side_B.mp3"],"render_values":[{"text":"https://pure.qub.ac.uk/files/168468159/Side_B_poor_quality_at_the_beginning.mp3","href":"https://pure.qub.ac.uk/files/168468159/Side_B_poor_quality_at_the_beginning.mp3","code":true},{"text":"https://pure.qub.ac.uk/files/168468160/Side_A.mp3","href":"https://pure.qub.ac.uk/files/168468160/Side_A.mp3","code":true},{"text":"https://pure.qub.ac.uk/files/168468161/Side_B.mp3","href":"https://pure.qub.ac.uk/files/168468161/Side_B.mp3","code":true}]},{"key":"dc:identifier","label":"Identifier","values":["oai:pure.qub.ac.uk/portal:studenttheses/2fb6bcff-bda7-44da-8844-620447f5d3e5","https://pure.qub.ac.uk/en/studentTheses/2fb6bcff-bda7-44da-8844-620447f5d3e5"],"render_values":[{"text":"oai:pure.qub.ac.uk/portal:studenttheses/2fb6bcff-bda7-44da-8844-620447f5d3e5","href":null,"code":true},{"text":"https://pure.qub.ac.uk/en/studentTheses/2fb6bcff-bda7-44da-8844-620447f5d3e5","href":"https://pure.qub.ac.uk/en/studentTheses/2fb6bcff-bda7-44da-8844-620447f5d3e5","code":true}]}]},"links":{"outbound_url":"https://pure.qub.ac.uk/files/168468158/Side_A.mp3","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Blacking, John"]},{"key":"dc:creator","label":"Author","values":["Taylor, Allan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["1993-7"]},{"key":"dc:date.issued","label":"Date","values":["1993-7"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Anthropology and Ethnomusicology"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["Queen's University Belfast"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://pure.qub.ac.uk/en/studentTheses/2fb6bcff-bda7-44da-8844-620447f5d3e5"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral Thesis"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["Doctor of Philosophy"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["oai:pure.qub.ac.uk/portal:studenttheses/2fb6bcff-bda7-44da-8844-620447f5d3e5","https://pure.qub.ac.uk/en/studentTheses/2fb6bcff-bda7-44da-8844-620447f5d3e5"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://pure.qub.ac.uk/files/633192935/Song_songwriting_and_the_songwriter_in_English_folk_song_revival.pdf","https://pure.qub.ac.uk/files/168468158/Side_A.mp3","https://pure.qub.ac.uk/files/168468159/Side_B_poor_quality_at_the_beginning.mp3","https://pure.qub.ac.uk/files/168468160/Side_A.mp3","https://pure.qub.ac.uk/files/168468161/Side_B.mp3"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This study focuses on Song. I intend to establish the aesthetic criteria by which song can be judged, to analyse the power of song to influence people's perceptions, and to examine and illustrate the compositional process.<br/><br/>I suggest that the context in which song is written and performed is vital to establishing the aesthetic criteria, and therefore I will analyse the phenomenon of the English folk song revival. Incorporated in this analysis is a consideration of the lifestyle of performers, performance itself, the philosophy of the milieu, and the folk club scene and how it operates.<br/><br/>Having established the contextual foundation for song in the English folk song revival I will then analyse the creative process of songwriting through its various but distinct stages. I will specifically focus on creativity and the compositional process as applied to song. 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