The Agency of Error in Post-digital Print
type: CreativeWork
description: This research investigates the tensions between different interpretations of error: from binary and digital evaluations to the more abstract and human ways we approach and think about error. My interest comes from a meshing together of these tendencies and the slippages between various modes of interpretation. Consequently, in my artistic practice error exists as both activity and subject matter, and the projects expose relationality rather than define discrete types of error. This approach goes against common understandings of error in digital culture, where systems try to reduce, if not erase, error. Equally in relation to printmaking practices, error is often understood only in terms of visual anomalies to be avoided through improvements to the printing process – whereas the problem is that there is a concern with error in print practices and culture, and yet a failure to address it critically. In this respect, error is encapsulated by Gilles Deleuze’s phrase ‘misadventures of thought’ (1994, p.148), which distinguishes error as a form of wandering and implies a state of unknowing. This expanded sense of error has the potential to open up new lines of thinking, in that not knowing upholds new beginnings and artistic potential. My research is not just about error in the ontological sense of the word, but about error in the context of a particular set of creative practices and concepts including printmaking, ideas of the post-digital, and how these allow for an emphasis on what I refer to as the relational agency of error. In his elaboration of the post-digital, the theorist Florian Cramer suggests that artists favour the misbehaviour of failing analogue and digital technologies (2014, p.20). I apply this theory to the expanded field of printmaking where errors created using analogue and digital print equipment co-exist as creative tools in artistic practice. Indeed, how is error in printmaking understood differently as a consequence of post-digital practices, and …
abstract: This research investigates the tensions between different interpretations of error: from binary and digital evaluations to the more abstract and human ways we approach and think about error. My interest comes from a meshing together of these tendencies and the slippages between various modes of interpretation. Consequently, in my artistic practice error exists as both activity and subject matter, and the projects expose relationality rather than define discrete types of error. This approach goes against common understandings of error in digital culture, where systems try to reduce, if not erase, error. Equally in relation to printmaking practices, error is often understood only in terms of visual anomalies to be avoided through improvements to the printing process – whereas the problem is that there is a concern with error in print practices and culture, and yet a failure to address it critically. In this respect, error is encapsulated by Gilles Deleuze’s phrase ‘misadventures of thought’ (1994, p.148), which distinguishes error as a form of wandering and implies a state of unknowing. This expanded sense of error has the potential to open up new lines of thinking, in that not knowing upholds new beginnings and artistic potential. My research is not just about error in the ontological sense of the word, but about error in the context of a particular set of creative practices and concepts including printmaking, ideas of the post-digital, and how these allow for an emphasis on what I refer to as the relational agency of error. In his elaboration of the post-digital, the theorist Florian Cramer suggests that artists favour the misbehaviour of failing analogue and digital technologies (2014, p.20). I apply this theory to the expanded field of printmaking where errors created using analogue and digital print equipment co-exist as creative tools in artistic practice. Indeed, how is error in printmaking understood differently as a consequence of post-digital practices, and …
author: Rosser, Laura
language: eng
keywords: Post-Digital, Print, Error, Agency, Printmaking
date published: 2023-01-01T08:00:00Z
date modified: 2026-07-24T03:50:10Z
provider: University of Plymouth
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: University of Plymouth