The sensory topography of cloth: Soft armour and worn stories

This essay seeks to explain the lived experience of chronic pain through personal examination, a study of the surface manipulation of cloth through textile art making and the poetics of female artists and writers. A consideration of western feminism and worn cloth further explores how the politics of wearing affects the feminine sense of wellbeing and how the sartorial can be a type of armour. In this context ‘feminine’ refers to my own experience of being female. Further discussion of my own serendipitous art practice makes comparisons between the process and the experiential. Is it possible to express through art an internal physical pain, a hidden pain, a pain rarely witnessed by others at its most deleterious? Many long-term pain sufferers learn to develop an external mechanism, an armour if you will, to camouflage and protect themselves from outside influences that can exacerbate symptoms and feelings of vulnerability. Through an account of my personal struggle with a chronic illness and a biographical account of histological exploitation with the Henrietta Lacks story (Skloot, 2010) this essay contextualizes the ways that textiles can convey the feelings evoked by cellular responses to pain and abstracted cell biology. Evolving is a textile narrative, represented in the physical manifestation of the scarf, the loose forms of worn cloth at once attached and detached from the body, shielding, while celebrating the female form. The textiles represent internal pain from my feminine perspective, as they act as a soft armour, draped, layered, and wrapped in defence of the physical and psychological experience of the wearer. Through a sensory topography of cloth, I draw on words to express and build on the visual materiality of cloth, support the meaning, and confirm a narrative.

Name thesis:degree_name

Master of Visual Arts

Level thesis:degree_level

Masters

Grantor

Otago Polytechnic | Te Pūkenga

Year dc:date.issued

2021

Author dc:creator

• Kennedy, Tracy

• chronic pain
• textile art
• cloth
• Western feminism
• soft armour

Statement dc:rights

• CC BY-NC-ND Attribution-NonCommercial-NoDerivs 4.0 International

Language dc:language.iso

en

Handle dc:identifier.uri

https://hdl.handle.net/10652/6809

OAI identifier oai:identifier

oai:researchbank.ac.nz:10652/6809