{"id":{"repo_id":"oregon","oai_identifier":"oai:scholarsbank.uoregon.edu:1794/31522"},"canonical_url":"https://search.dev.ndltd.org/etd/oregon/oai:scholarsbank.uoregon.edu:1794/31522","repository":{"repo_id":"oregon","name":"University of Oregon","base_url":"https://scholarsbank.uoregon.edu/server/oai/request"},"display":{"title":"“They Drink Tea": Everyday Loneliness and the Poetics of Place in Russophone American Short Stories (The Cases of Nina Berberova and Olga Zilberbourg)","abstract":"This thesis examines the short fiction of Russian-born writers Nina Berberova (1901-1993) and Olga Zilberbourg (1979-) to explore how female émigré and immigrant authors articulate displacement through the motifs of loneliness, memory, and space. Though separated by time and geography, both writers reimagine the short story as a vessel for negotiating fractured identities and the emotional topography of migration. Drawing on literary anthropology, semiotic theory, and reader-response criticism, I argue that the short story’s formal properties—brevity, ambiguity, and fragmentation – mirror the epistemic structures of exile. Berberova’s final American stories distill the Russian literary tradition into sparse, elegiac forms, while Zilberbourg reconfigures émigré poetics for a 21st-century context, navigating linguistic hybridity and cultural in-betweenness. In their narratives, both authors resist assimilationist tropes and articulate survival as a creative, recursive act of authorship. Ultimately, their work reveals how literature written from dislocation does not seek to resolve the problems of exile, but to dwell in exilic complexity – and to speak from within it.","abstract_html":"This thesis examines the short fiction of Russian-born writers Nina Berberova (1901-1993) and Olga Zilberbourg (1979-) to explore how female émigré and immigrant authors articulate displacement through the motifs of loneliness, memory, and space. Though separated by time and geography, both writers reimagine the short story as a vessel for negotiating fractured identities and the emotional topography of migration. Drawing on literary anthropology, semiotic theory, and reader-response criticism, I argue that the short story’s formal properties—brevity, ambiguity, and fragmentation – mirror the epistemic structures of exile. Berberova’s final American stories distill the Russian literary tradition into sparse, elegiac forms, while Zilberbourg reconfigures émigré poetics for a 21st-century context, navigating linguistic hybridity and cultural in-betweenness. In their narratives, both authors resist assimilationist tropes and articulate survival as a creative, recursive act of authorship. Ultimately, their work reveals how literature written from dislocation does not seek to resolve the problems of exile, but to dwell in exilic complexity – and to speak from within it.","abstract_has_math":false,"creators":["Turygina, Lina"],"institution":"University of Oregon","degree_name":"M.A.","degree_level":"masters","degree_discipline":"Russian, East European, and Eurasian Studies Program","degree_department":null,"school":null,"contributors":[],"advisors":["Presto, Jenifer"],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-08-22","date_published":"2025-08-22","updated_at":"2026-08-21T16:47:20Z","subjects":["Adaptation","Diaspora","Immigrant literature","In-betweenness","Women's writing"],"languages":["en_US"],"rights":["All Rights Reserved."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/1794/31522","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"source_record":{"url":"https://scholarsbank.uoregon.edu/server/oai/request?verb=GetRecord&metadataPrefix=dim&identifier=oai%3Ascholarsbank.uoregon.edu%3A1794%2F31522","prefix":"dim"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Presto, Jenifer"]},{"key":"dc:creator","label":"Author","values":["Turygina, Lina"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-08-22T20:24:01Z"]},{"key":"dc:date.issued","label":"Date","values":["2025-08-22"]},{"key":"dc:publisher","label":"Institution","values":["University of Oregon"]},{"key":"dc:type","label":"Dc Type","values":["Dissertation or thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Russian, East European, and Eurasian Studies Program"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Oregon"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Adaptation","Diaspora","Immigrant literature","In-betweenness","Women's writing"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]},{"key":"dc:rights","label":"Dc Rights","values":["All Rights Reserved."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/1794/31522"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis examines the short fiction of Russian-born writers Nina Berberova (1901-1993) and Olga Zilberbourg (1979-) to explore how female émigré and immigrant authors articulate displacement through the motifs of loneliness, memory, and space. Though separated by time and geography, both writers reimagine the short story as a vessel for negotiating fractured identities and the emotional topography of migration. Drawing on literary anthropology, semiotic theory, and reader-response criticism, I argue that the short story’s formal properties—brevity, ambiguity, and fragmentation – mirror the epistemic structures of exile. Berberova’s final American stories distill the Russian literary tradition into sparse, elegiac forms, while Zilberbourg reconfigures émigré poetics for a 21st-century context, navigating linguistic hybridity and cultural in-betweenness. In their narratives, both authors resist assimilationist tropes and articulate survival as a creative, recursive act of authorship. Ultimately, their work reveals how literature written from dislocation does not seek to resolve the problems of exile, but to dwell in exilic complexity – and to speak from within it."]},{"key":"dc:title","label":"Title","values":["“They Drink Tea": Everyday Loneliness and the Poetics of Place in Russophone American Short Stories (The Cases of Nina Berberova and Olga Zilberbourg)"]}]}],"canonical_facts":{"dc:contributor.advisor":["Presto, Jenifer"],"dc:creator":["Turygina, Lina"],"dc:date.accessioned":["2025-08-22T20:24:01Z"],"dc:date.issued":["2025-08-22"],"dc:description.abstract":["This thesis examines the short fiction of Russian-born writers Nina Berberova (1901-1993) and Olga Zilberbourg (1979-) to explore how female émigré and immigrant authors articulate displacement through the motifs of loneliness, memory, and space. Though separated by time and geography, both writers reimagine the short story as a vessel for negotiating fractured identities and the emotional topography of migration. Drawing on literary anthropology, semiotic theory, and reader-response criticism, I argue that the short story’s formal properties—brevity, ambiguity, and fragmentation – mirror the epistemic structures of exile. Berberova’s final American stories distill the Russian literary tradition into sparse, elegiac forms, while Zilberbourg reconfigures émigré poetics for a 21st-century context, navigating linguistic hybridity and cultural in-betweenness. In their narratives, both authors resist assimilationist tropes and articulate survival as a creative, recursive act of authorship. 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