Abstract
Divided into three chapters, my Ph.D. Dissertation, entitled \"Helena Araújo, el devenir afuera: de la Colonia al exilio, de la confesión a la auto-ficción,\" examines how Araújo′s work is organized around the spatial-temporal discontinuity provoked by the exile of the feminine character. Using Gilles Deleuze′s concept of ‘rhizome’, this dissertation seeks to demonstrate how the feminine character could become-other on the condition that she changes territory by moving from the Colony to the exile.
The first chapter is a revision of the symbolic formation of the Colony drawn as a territory of control in a corpus of literary women’s works in Colombia from 18th to 20th centuries. The goal of this revision is to illustrate the symmetry between the confessional narrative modes and the controlling structure of the Colony.
The second chapter defines and analyzes the first movement of Araújo′s work: from the Colony to the exile. In this chapter I seek to demonstrate how the exile′s distance changes the representation of a same place. For instance, in La M de las moscas (1970), the narration is structured around the experience of the uncanny and the abjection while in Fiesta en Teusaquillo (1981), the narration is organized from the exile′s perspective and then it is realized as an experience of memory.
The third chapter defines and analyzes the second movement of Araújo’s work: from confession to auto-fiction. In Las cuitas de Carlota (2003), Araújo picks up the thread of the epistle narrative mode proper of the end of the 19th century′s feuilleton, depicting thus an anti-heroin protagonist. In Esposa fugada y otros cuentos viajeros (2009), Araújo inverts the traditional discourses and representations of woman producing a contra-discursive feminine character. In this chapter, I seek to demonstrate how the historical reconstruction of the feminine character in fact deconstructs the Colony′s discipline and punishment discourses by producing auto-fictional representations drawn either as a paradox or as an aporia.
Using Michel Foucault′s concept of ‘archeology of knowledge’, this study ultimately reconsiders Araújo′s tradition in the context of Colombian feminine writing inasmuch as it revises feminine discourses and their relation to power′s practices.
Key words: Colony, exile, confession, auto-fiction, becoming-other, territory.
","abstract_html":"<p>Abstract</p><p>Divided into three chapters, my Ph.D. Dissertation, entitled "Helena Araújo, el devenir afuera: de la Colonia al exilio, de la confesión a la auto-ficción," examines how Araújo′s work is organized around the spatial-temporal discontinuity provoked by the exile of the feminine character. Using Gilles Deleuze′s concept of ‘rhizome’, this dissertation seeks to demonstrate how the feminine character could <i>become-other</i> on the condition that she changes territory by moving from the Colony to the exile.</p><p>The first chapter is a revision of the symbolic formation of the Colony drawn as a territory of control in a corpus of literary women’s works in Colombia from 18<sup>th</sup> to 20<sup>th</sup> centuries. The goal of this revision is to illustrate the symmetry between the confessional narrative modes and the controlling structure of the Colony.</p><p>The second chapter defines and analyzes the first movement of Araújo′s work: from the Colony to the exile. In this chapter I seek to demonstrate how the exile′s distance changes the representation of a same place. For instance, in <i>La M de las moscas</i> (1970), the narration is structured around the experience of the uncanny and the abjection while in <i>Fiesta en Teusaquillo</i> (1981), the narration is organized from the exile′s perspective and then it is realized as an experience of memory.</p><p>The third chapter defines and analyzes the second movement of Araújo’s work: from confession to auto-fiction. In <i>Las cuitas de Carlota</i> (2003), Araújo picks up the thread of the epistle narrative mode proper of the end of the 19<sup>th</sup> century′s feuilleton, depicting thus an anti-heroin protagonist. In <i>Esposa fugada y otros cuentos viajeros</i> (2009), Araújo inverts the traditional discourses and representations of woman producing a contra-discursive feminine character. In this chapter, I seek to demonstrate how the historical reconstruction of the feminine character in fact deconstructs the Colony′s discipline and punishment discourses by producing auto-fictional representations drawn either as a paradox or as an aporia.</p> <p>Using Michel Foucault′s concept of ‘archeology of knowledge’, this study ultimately reconsiders Araújo′s tradition in the context of Colombian feminine writing inasmuch as it revises feminine discourses and their relation to power′s practices.</p><p>Key words: Colony, exile, confession, auto-fiction, becoming-other, territory.</p>","abstract_has_math":false,"creators":["Sanchez, Maria C."],"institution":"University of Cincinnati","degree_name":"PhD","degree_level":"doctoral","degree_discipline":"Arts and Sciences: Romance Languages and Literatures","degree_department":null,"school":null,"contributors":["Romero, Armando"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-07-24T03:36:23Z","subjects":["Latin American Literature","Colony","Exile","Confession","Auto-fiction","Becoming-other","Territory"],"languages":["Spanish"],"rights":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://rave.ohiolink.edu/etdc/view?acc_num=ucin1352402806","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Romero, Armando"]},{"key":"dc:creator","label":"Author","values":["Sanchez, Maria C."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2012"]},{"key":"dc:publisher","label":"Institution","values":["University of Cincinnati / OhioLINK"]},{"key":"dc:type","label":"Dc Type","values":["Electronic Thesis or Dissertation"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Arts and Sciences: Romance Languages and Literatures"]},{"key":"thesis:degree_level","label":"Degree Level","values":["doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["PhD"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Cincinnati"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Latin American Literature","Colony","Exile","Confession","Auto-fiction","Becoming-other","Territory"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["Spanish"]},{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://rave.ohiolink.edu/etdc/view?acc_num=ucin1352402806"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Abstract
Divided into three chapters, my Ph.D. Dissertation, entitled \"Helena Araújo, el devenir afuera: de la Colonia al exilio, de la confesión a la auto-ficción,\" examines how Araújo′s work is organized around the spatial-temporal discontinuity provoked by the exile of the feminine character. Using Gilles Deleuze′s concept of ‘rhizome’, this dissertation seeks to demonstrate how the feminine character could become-other on the condition that she changes territory by moving from the Colony to the exile.
The first chapter is a revision of the symbolic formation of the Colony drawn as a territory of control in a corpus of literary women’s works in Colombia from 18th to 20th centuries. The goal of this revision is to illustrate the symmetry between the confessional narrative modes and the controlling structure of the Colony.
The second chapter defines and analyzes the first movement of Araújo′s work: from the Colony to the exile. In this chapter I seek to demonstrate how the exile′s distance changes the representation of a same place. For instance, in La M de las moscas (1970), the narration is structured around the experience of the uncanny and the abjection while in Fiesta en Teusaquillo (1981), the narration is organized from the exile′s perspective and then it is realized as an experience of memory.
The third chapter defines and analyzes the second movement of Araújo’s work: from confession to auto-fiction. In Las cuitas de Carlota (2003), Araújo picks up the thread of the epistle narrative mode proper of the end of the 19th century′s feuilleton, depicting thus an anti-heroin protagonist. In Esposa fugada y otros cuentos viajeros (2009), Araújo inverts the traditional discourses and representations of woman producing a contra-discursive feminine character. In this chapter, I seek to demonstrate how the historical reconstruction of the feminine character in fact deconstructs the Colony′s discipline and punishment discourses by producing auto-fictional representations drawn either as a paradox or as an aporia.
Using Michel Foucault′s concept of ‘archeology of knowledge’, this study ultimately reconsiders Araújo′s tradition in the context of Colombian feminine writing inasmuch as it revises feminine discourses and their relation to power′s practices.
Key words: Colony, exile, confession, auto-fiction, becoming-other, territory.
"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf","p.279","1.59 MB"]},{"key":"dc:title","label":"Title","values":["Helena Araújo, el devenir afuera: de la Colonia al exilio, de la confesión a la auto-ficción"]}]}],"canonical_facts":{"dc:contributor":["Romero, Armando"],"dc:creator":["Sanchez, Maria C."],"dc:date":["2012"],"dc:description":["Abstract
Divided into three chapters, my Ph.D. Dissertation, entitled \"Helena Araújo, el devenir afuera: de la Colonia al exilio, de la confesión a la auto-ficción,\" examines how Araújo′s work is organized around the spatial-temporal discontinuity provoked by the exile of the feminine character. Using Gilles Deleuze′s concept of ‘rhizome’, this dissertation seeks to demonstrate how the feminine character could become-other on the condition that she changes territory by moving from the Colony to the exile.
The first chapter is a revision of the symbolic formation of the Colony drawn as a territory of control in a corpus of literary women’s works in Colombia from 18th to 20th centuries. The goal of this revision is to illustrate the symmetry between the confessional narrative modes and the controlling structure of the Colony.
The second chapter defines and analyzes the first movement of Araújo′s work: from the Colony to the exile. In this chapter I seek to demonstrate how the exile′s distance changes the representation of a same place. For instance, in La M de las moscas (1970), the narration is structured around the experience of the uncanny and the abjection while in Fiesta en Teusaquillo (1981), the narration is organized from the exile′s perspective and then it is realized as an experience of memory.
The third chapter defines and analyzes the second movement of Araújo’s work: from confession to auto-fiction. In Las cuitas de Carlota (2003), Araújo picks up the thread of the epistle narrative mode proper of the end of the 19th century′s feuilleton, depicting thus an anti-heroin protagonist. In Esposa fugada y otros cuentos viajeros (2009), Araújo inverts the traditional discourses and representations of woman producing a contra-discursive feminine character. In this chapter, I seek to demonstrate how the historical reconstruction of the feminine character in fact deconstructs the Colony′s discipline and punishment discourses by producing auto-fictional representations drawn either as a paradox or as an aporia.
Using Michel Foucault′s concept of ‘archeology of knowledge’, this study ultimately reconsiders Araújo′s tradition in the context of Colombian feminine writing inasmuch as it revises feminine discourses and their relation to power′s practices.
Key words: Colony, exile, confession, auto-fiction, becoming-other, territory.
"],"dc:format":["application/pdf","p.279","1.59 MB"],"dc:identifier":["http://rave.ohiolink.edu/etdc/view?acc_num=ucin1352402806"],"dc:language":["Spanish"],"dc:publisher":["University of Cincinnati / OhioLINK"],"dc:rights":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."],"dc:subject":["Latin American Literature","Colony","Exile","Confession","Auto-fiction","Becoming-other","Territory"],"dc:title":["Helena Araújo, el devenir afuera: de la Colonia al exilio, de la confesión a la auto-ficción"],"dc:type":["Electronic Thesis or Dissertation"],"thesis:degree_discipline":["Arts and Sciences: Romance Languages and Literatures"],"thesis:degree_level":["doctoral"],"thesis:degree_name":["PhD"],"thesis:institution_name":["University of Cincinnati"]},"updated_at":"2026-07-24T03:36:23Z"}