{"id":{"repo_id":"ohiolink","oai_identifier":"oai:etd.ohiolink.edu:ohiou1365444831"},"canonical_url":"https://search.dev.ndltd.org/etd/ohiolink/oai:etd.ohiolink.edu:ohiou1365444831","repository":{"repo_id":"ohiolink","name":"OhioLINK","base_url":"https://etd.ohiolink.edu/acprod/odb_etd/ws/oai/oai"},"display":{"title":"Film, Music, and the Narrational Extra Dimension","abstract":"This thesis addresses the role of so called nondiegetic film music, also known as background or score music, as it pertains to the overall structure of processes involved in cinematic presentation. Some of the questions that are normally asked here are: Where is this music supposed to be coming from? Who is responsible for it? What is it really doing? In addressing this common filmic feature we will clear up several foundational concepts in film, provide a rough categorization of film music, critique Jerrold Levinson’s recent attempt to answer the above questions, and ultimately arrive at a consideration of nondiegetic film music as a kind of narrational extra dimension. We will ultimately reject the view that music is instrumental in building narrative facts, in favor of one that holds music to be significant to the very processes of film narration, affecting how a film is presented.","abstract_html":"This thesis addresses the role of so called nondiegetic film music, also known as background or score music, as it pertains to the overall structure of processes involved in cinematic presentation. Some of the questions that are normally asked here are: Where is this music supposed to be coming from? Who is responsible for it? What is it really doing? In addressing this common filmic feature we will clear up several foundational concepts in film, provide a rough categorization of film music, critique Jerrold Levinson’s recent attempt to answer the above questions, and ultimately arrive at a consideration of nondiegetic film music as a kind of narrational extra dimension. We will ultimately reject the view that music is instrumental in building narrative facts, in favor of one that holds music to be significant to the very processes of film narration, affecting how a film is presented.","abstract_has_math":false,"creators":["Bauer, Shad A."],"institution":"Ohio University","degree_name":"Master of Arts (MA)","degree_level":"masters","degree_discipline":"Philosophy (Arts and Sciences)","degree_department":null,"school":null,"contributors":["Bender, John"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-06-12","date_published":"2013-06-12","updated_at":"2026-07-24T03:37:31Z","subjects":["Aesthetics","Philosophy","Film Studies","Film Narration","Philosophy of Film","narrative significance","narrational significance","Film","music","narration","narrative","extra dimension","Levinson","narrative agency","indefinite narrator","narrator","ubiquitous narrators"],"languages":["English"],"rights":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1365444831","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Bender, John"]},{"key":"dc:creator","label":"Author","values":["Bauer, Shad A."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2013-06-12"]},{"key":"dc:publisher","label":"Institution","values":["Ohio University / OhioLINK"]},{"key":"dc:type","label":"Dc Type","values":["Electronic Thesis or Dissertation"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Philosophy (Arts and Sciences)"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Ohio University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Aesthetics","Philosophy","Film Studies","Film Narration","Philosophy of Film","narrative significance","narrational significance","Film","music","narration","narrative","extra dimension","Levinson","narrative agency","indefinite narrator","narrator","ubiquitous narrators"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1365444831"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This thesis addresses the role of so called nondiegetic film music, also known as background or score music, as it pertains to the overall structure of processes involved in cinematic presentation. Some of the questions that are normally asked here are: Where is this music supposed to be coming from? Who is responsible for it? What is it really doing? In addressing this common filmic feature we will clear up several foundational concepts in film, provide a rough categorization of film music, critique Jerrold Levinson’s recent attempt to answer the above questions, and ultimately arrive at a consideration of nondiegetic film music as a kind of narrational extra dimension. We will ultimately reject the view that music is instrumental in building narrative facts, in favor of one that holds music to be significant to the very processes of film narration, affecting how a film is presented."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf","p.88","517.4 KB"]},{"key":"dc:title","label":"Title","values":["Film, Music, and the Narrational Extra Dimension"]}]}],"canonical_facts":{"dc:contributor":["Bender, John"],"dc:creator":["Bauer, Shad A."],"dc:date":["2013-06-12"],"dc:description":["This thesis addresses the role of so called nondiegetic film music, also known as background or score music, as it pertains to the overall structure of processes involved in cinematic presentation. Some of the questions that are normally asked here are: Where is this music supposed to be coming from? Who is responsible for it? What is it really doing? In addressing this common filmic feature we will clear up several foundational concepts in film, provide a rough categorization of film music, critique Jerrold Levinson’s recent attempt to answer the above questions, and ultimately arrive at a consideration of nondiegetic film music as a kind of narrational extra dimension. We will ultimately reject the view that music is instrumental in building narrative facts, in favor of one that holds music to be significant to the very processes of film narration, affecting how a film is presented."],"dc:format":["application/pdf","p.88","517.4 KB"],"dc:identifier":["http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1365444831"],"dc:language":["English"],"dc:publisher":["Ohio University / OhioLINK"],"dc:rights":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."],"dc:subject":["Aesthetics","Philosophy","Film Studies","Film Narration","Philosophy of Film","narrative significance","narrational significance","Film","music","narration","narrative","extra dimension","Levinson","narrative agency","indefinite narrator","narrator","ubiquitous narrators"],"dc:title":["Film, Music, and the Narrational Extra Dimension"],"dc:type":["Electronic Thesis or Dissertation"],"thesis:degree_discipline":["Philosophy (Arts and Sciences)"],"thesis:degree_level":["masters"],"thesis:degree_name":["Master of Arts (MA)"],"thesis:institution_name":["Ohio University"]},"updated_at":"2026-07-24T03:37:31Z"}