{"id":{"repo_id":"ohiolink","oai_identifier":"oai:etd.ohiolink.edu:kent1366152840"},"canonical_url":"https://search.dev.ndltd.org/etd/ohiolink/oai:etd.ohiolink.edu:kent1366152840","repository":{"repo_id":"ohiolink","name":"OhioLINK","base_url":"https://etd.ohiolink.edu/acprod/odb_etd/ws/oai/oai"},"display":{"title":"Seventy Years of Swearing upon Eric the Skull: Genre and Gender in Selected Works by Detection Club Writers Dorothy L. Sayers and Agatha Christie","abstract":"My dissertation “Seventy Years of Swearing upon Eric the Skull: Genre and Gender in Selected Works by Detection Club Writers Dorothy L. Sayers and Agatha Christie” shows how the texts produced by Detection Club members Dorothy L. Sayers and Agatha Christie challenge assumptions about the value and role of popular genre fiction and demonstrate how the detective novel engages pressing social issues related to gender in modern Great Britain. Sayers and Christie addressed serious concerns of gender in relation to topics including war and an emerging market economy in inter-war Britain; however, because they were doing so in genre fiction, their insights have not been fully explored. The popularity of detective fiction, according to critics, has resulted in a lack of criticism and a distrust of the popular. Christie, more so than Sayers, has been ignored by critics because of her popularity and the formulaic nature of her fiction. Glenwood Irons claims that Christie’s popularity is responsible for the “general ignorance of the sheer volume of detective fiction written by women” (xi), while Alison Light theorizes that the dearth of Christie criticism, because of her popularity, is “an absence which the growth of `genre’ studies of popular fiction has yet to address” (64). My goal is to understand how Sayers and Christie responded to modern issues through their writing and to set their writing in context with contemporary concerns in inter-war Britain. I advocate for a reexamination of Sayers and Christie that goes beyond their popularity as writers of genre fiction and analyzes the ways in which their fiction incorporates modern concerns.","abstract_html":"My dissertation “Seventy Years of Swearing upon Eric the Skull: Genre and Gender in Selected Works by Detection Club Writers Dorothy L. Sayers and Agatha Christie” shows how the texts produced by Detection Club members Dorothy L. Sayers and Agatha Christie challenge assumptions about the value and role of popular genre fiction and demonstrate how the detective novel engages pressing social issues related to gender in modern Great Britain. Sayers and Christie addressed serious concerns of gender in relation to topics including war and an emerging market economy in inter-war Britain; however, because they were doing so in genre fiction, their insights have not been fully explored. The popularity of detective fiction, according to critics, has resulted in a lack of criticism and a distrust of the popular. Christie, more so than Sayers, has been ignored by critics because of her popularity and the formulaic nature of her fiction. Glenwood Irons claims that Christie’s popularity is responsible for the “general ignorance of the sheer volume of detective fiction written by women” (xi), while Alison Light theorizes that the dearth of Christie criticism, because of her popularity, is “an absence which the growth of `genre’ studies of popular fiction has yet to address” (64). My goal is to understand how Sayers and Christie responded to modern issues through their writing and to set their writing in context with contemporary concerns in inter-war Britain. I advocate for a reexamination of Sayers and Christie that goes beyond their popularity as writers of genre fiction and analyzes the ways in which their fiction incorporates modern concerns.","abstract_has_math":false,"creators":["Lott, Monica L."],"institution":"Kent State University","degree_name":"PHD","degree_level":"doctoral","degree_discipline":"College of Arts and Sciences / Department of English","degree_department":null,"school":null,"contributors":["Clewell, Tammy"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-04-19","date_published":"2013-04-19","updated_at":"2026-07-24T03:37:46Z","subjects":["British and Irish Literature","Literature","Detective Fiction","Mystery Fiction","Dorothy L. Sayers","Agatha Christie","Detection Club","World War One","Nostalgia","Lord Peter Wimsey, Shell-shock","Harriet Vane","Feminism","Hercule Poirot","Marple","Gender","War"],"languages":["English"],"rights":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://rave.ohiolink.edu/etdc/view?acc_num=kent1366152840","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Clewell, Tammy"]},{"key":"dc:creator","label":"Author","values":["Lott, Monica L."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2013-04-19"]},{"key":"dc:publisher","label":"Institution","values":["Kent State University / OhioLINK"]},{"key":"dc:type","label":"Dc Type","values":["Electronic Thesis or Dissertation"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["College of Arts and Sciences / Department of English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["PHD"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Kent State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["British and Irish Literature","Literature","Detective Fiction","Mystery Fiction","Dorothy L. Sayers","Agatha Christie","Detection Club","World War One","Nostalgia","Lord Peter Wimsey, Shell-shock","Harriet Vane","Feminism","Hercule Poirot","Marple","Gender","War"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://rave.ohiolink.edu/etdc/view?acc_num=kent1366152840"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["My dissertation “Seventy Years of Swearing upon Eric the Skull: Genre and Gender in Selected Works by Detection Club Writers Dorothy L. Sayers and Agatha Christie” shows how the texts produced by Detection Club members Dorothy L. Sayers and Agatha Christie challenge assumptions about the value and role of popular genre fiction and demonstrate how the detective novel engages pressing social issues related to gender in modern Great Britain. Sayers and Christie addressed serious concerns of gender in relation to topics including war and an emerging market economy in inter-war Britain; however, because they were doing so in genre fiction, their insights have not been fully explored. The popularity of detective fiction, according to critics, has resulted in a lack of criticism and a distrust of the popular. Christie, more so than Sayers, has been ignored by critics because of her popularity and the formulaic nature of her fiction. Glenwood Irons claims that Christie’s popularity is responsible for the “general ignorance of the sheer volume of detective fiction written by women” (xi), while Alison Light theorizes that the dearth of Christie criticism, because of her popularity, is “an absence which the growth of `genre’ studies of popular fiction has yet to address” (64). My goal is to understand how Sayers and Christie responded to modern issues through their writing and to set their writing in context with contemporary concerns in inter-war Britain. I advocate for a reexamination of Sayers and Christie that goes beyond their popularity as writers of genre fiction and analyzes the ways in which their fiction incorporates modern concerns."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf","p.167","684. KB"]},{"key":"dc:title","label":"Title","values":["Seventy Years of Swearing upon Eric the Skull: Genre and Gender in Selected Works by Detection Club Writers Dorothy L. Sayers and Agatha Christie"]}]}],"canonical_facts":{"dc:contributor":["Clewell, Tammy"],"dc:creator":["Lott, Monica L."],"dc:date":["2013-04-19"],"dc:description":["My dissertation “Seventy Years of Swearing upon Eric the Skull: Genre and Gender in Selected Works by Detection Club Writers Dorothy L. Sayers and Agatha Christie” shows how the texts produced by Detection Club members Dorothy L. Sayers and Agatha Christie challenge assumptions about the value and role of popular genre fiction and demonstrate how the detective novel engages pressing social issues related to gender in modern Great Britain. Sayers and Christie addressed serious concerns of gender in relation to topics including war and an emerging market economy in inter-war Britain; however, because they were doing so in genre fiction, their insights have not been fully explored. The popularity of detective fiction, according to critics, has resulted in a lack of criticism and a distrust of the popular. Christie, more so than Sayers, has been ignored by critics because of her popularity and the formulaic nature of her fiction. Glenwood Irons claims that Christie’s popularity is responsible for the “general ignorance of the sheer volume of detective fiction written by women” (xi), while Alison Light theorizes that the dearth of Christie criticism, because of her popularity, is “an absence which the growth of `genre’ studies of popular fiction has yet to address” (64). My goal is to understand how Sayers and Christie responded to modern issues through their writing and to set their writing in context with contemporary concerns in inter-war Britain. I advocate for a reexamination of Sayers and Christie that goes beyond their popularity as writers of genre fiction and analyzes the ways in which their fiction incorporates modern concerns."],"dc:format":["application/pdf","p.167","684. KB"],"dc:identifier":["http://rave.ohiolink.edu/etdc/view?acc_num=kent1366152840"],"dc:language":["English"],"dc:publisher":["Kent State University / OhioLINK"],"dc:rights":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."],"dc:subject":["British and Irish Literature","Literature","Detective Fiction","Mystery Fiction","Dorothy L. Sayers","Agatha Christie","Detection Club","World War One","Nostalgia","Lord Peter Wimsey, Shell-shock","Harriet Vane","Feminism","Hercule Poirot","Marple","Gender","War"],"dc:title":["Seventy Years of Swearing upon Eric the Skull: Genre and Gender in Selected Works by Detection Club Writers Dorothy L. Sayers and Agatha Christie"],"dc:type":["Electronic Thesis or Dissertation"],"thesis:degree_discipline":["College of Arts and Sciences / Department of English"],"thesis:degree_level":["doctoral"],"thesis:degree_name":["PHD"],"thesis:institution_name":["Kent State University"]},"updated_at":"2026-07-24T03:37:46Z"}