{"id":{"repo_id":"ohiolink","oai_identifier":"oai:etd.ohiolink.edu:kent1366049215"},"canonical_url":"https://search.dev.ndltd.org/etd/ohiolink/oai:etd.ohiolink.edu:kent1366049215","repository":{"repo_id":"ohiolink","name":"OhioLINK","base_url":"https://etd.ohiolink.edu/acprod/odb_etd/ws/oai/oai"},"display":{"title":"Women and Humor: A Linguistic and Rhetorical Analysis of Joke Target","abstract":"Authors Marietta Holley, Fanny Fern and Harriet Beecher Stowe produced works of humorous fiction, parody and satire to advance discussion on the question of women’s suffrage and equality. Using The General Theory of Verbal Humor (Attardo and Raskin, 1994; Attardo, 1994) to analyze some of the joke targets used by these women writers, the dissertation argues that some works of early feminist humor are easily recast as proto feminist humor. Additionally, the dissertation argues that anti-feminist humor authored by Marietta Holley and Harriet Beecher Stowe was created to control the rhetorical discourse of more radical elements of the early suffrage movement. Finally, the dissertation recognizes the complexity of the development of feminist humor and acknowledges the importance of humor as a form of rhetorical persuasion used by these women writers.","abstract_html":"Authors Marietta Holley, Fanny Fern and Harriet Beecher Stowe produced works of humorous fiction, parody and satire to advance discussion on the question of women’s suffrage and equality. Using The General Theory of Verbal Humor (Attardo and Raskin, 1994; Attardo, 1994) to analyze some of the joke targets used by these women writers, the dissertation argues that some works of early feminist humor are easily recast as proto feminist humor. Additionally, the dissertation argues that anti-feminist humor authored by Marietta Holley and Harriet Beecher Stowe was created to control the rhetorical discourse of more radical elements of the early suffrage movement. Finally, the dissertation recognizes the complexity of the development of feminist humor and acknowledges the importance of humor as a form of rhetorical persuasion used by these women writers.","abstract_has_math":false,"creators":["Karman, Barbara A."],"institution":"Kent State University","degree_name":"PHD","degree_level":"doctoral","degree_discipline":"College of Arts and Sciences / Department of English","degree_department":null,"school":null,"contributors":["Newman, Sara"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-04-22","date_published":"2013-04-22","updated_at":"2026-07-24T03:37:46Z","subjects":["American Literature","Linguistics","Rhetoric","Womens Studies","feminist humor","19th century women's humor"],"languages":["English"],"rights":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://rave.ohiolink.edu/etdc/view?acc_num=kent1366049215","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Newman, Sara"]},{"key":"dc:creator","label":"Author","values":["Karman, Barbara A."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2013-04-22"]},{"key":"dc:publisher","label":"Institution","values":["Kent State University / OhioLINK"]},{"key":"dc:type","label":"Dc Type","values":["Electronic Thesis or Dissertation"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["College of Arts and Sciences / Department of English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["PHD"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Kent State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American Literature","Linguistics","Rhetoric","Womens Studies","feminist humor","19th century women's humor"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://rave.ohiolink.edu/etdc/view?acc_num=kent1366049215"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Authors Marietta Holley, Fanny Fern and Harriet Beecher Stowe produced works of humorous fiction, parody and satire to advance discussion on the question of women’s suffrage and equality. Using The General Theory of Verbal Humor (Attardo and Raskin, 1994; Attardo, 1994) to analyze some of the joke targets used by these women writers, the dissertation argues that some works of early feminist humor are easily recast as proto feminist humor. Additionally, the dissertation argues that anti-feminist humor authored by Marietta Holley and Harriet Beecher Stowe was created to control the rhetorical discourse of more radical elements of the early suffrage movement. Finally, the dissertation recognizes the complexity of the development of feminist humor and acknowledges the importance of humor as a form of rhetorical persuasion used by these women writers."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf","p.180","1.46 MB"]},{"key":"dc:title","label":"Title","values":["Women and Humor: A Linguistic and Rhetorical Analysis of Joke Target"]}]}],"canonical_facts":{"dc:contributor":["Newman, Sara"],"dc:creator":["Karman, Barbara A."],"dc:date":["2013-04-22"],"dc:description":["Authors Marietta Holley, Fanny Fern and Harriet Beecher Stowe produced works of humorous fiction, parody and satire to advance discussion on the question of women’s suffrage and equality. Using The General Theory of Verbal Humor (Attardo and Raskin, 1994; Attardo, 1994) to analyze some of the joke targets used by these women writers, the dissertation argues that some works of early feminist humor are easily recast as proto feminist humor. Additionally, the dissertation argues that anti-feminist humor authored by Marietta Holley and Harriet Beecher Stowe was created to control the rhetorical discourse of more radical elements of the early suffrage movement. Finally, the dissertation recognizes the complexity of the development of feminist humor and acknowledges the importance of humor as a form of rhetorical persuasion used by these women writers."],"dc:format":["application/pdf","p.180","1.46 MB"],"dc:identifier":["http://rave.ohiolink.edu/etdc/view?acc_num=kent1366049215"],"dc:language":["English"],"dc:publisher":["Kent State University / OhioLINK"],"dc:rights":["unrestricted","This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws."],"dc:subject":["American Literature","Linguistics","Rhetoric","Womens Studies","feminist humor","19th century women's humor"],"dc:title":["Women and Humor: A Linguistic and Rhetorical Analysis of Joke Target"],"dc:type":["Electronic Thesis or Dissertation"],"thesis:degree_discipline":["College of Arts and Sciences / Department of English"],"thesis:degree_level":["doctoral"],"thesis:degree_name":["PHD"],"thesis:institution_name":["Kent State University"]},"updated_at":"2026-07-24T03:37:46Z"}