{"id":{"repo_id":"ohiolink","oai_identifier":"oai:etd.ohiolink.edu:case1365170590"},"canonical_url":"https://search.dev.ndltd.org/etd/ohiolink/oai:etd.ohiolink.edu:case1365170590","repository":{"repo_id":"ohiolink","name":"OhioLINK","base_url":"https://etd.ohiolink.edu/acprod/odb_etd/ws/oai/oai"},"display":{"title":"Marian Devotion Through Music, Lyric, and Miracle Narrative in the Cantigas de Santa Maria","abstract":"The Cantigas de Santa Maria were compiled by King Alfonso X the Wise of Castile (r. 1252-1284), amidst an upsurge of Marian devotion and a simultaneous proliferation of vernacular poetry and monophonic music, all outgrowths of the twelfth century. This thesis shows not just that music, lyric, and narrative converge in the cantigas de miragro (miracle songs), but that it is specifically the form that allows the melody of the refrain to connect the moral of the song, expressed lyrically during the refrain, to the miracle narrative presented in the verses. Selections from the Toledo Codex illustrate that the cantigas’ melodies, which are deployed using two specific musical forms, virelai and Andalusian rondeau, reinforce their devotional intent. The musical structure strengthens both story and moral in each cantiga, thus joining music, lyric, and narrative to allow Cantigas de Santa Maria to be a uniquely powerful vehicle for Marian devotion.","abstract_html":"The Cantigas de Santa Maria were compiled by King Alfonso X the Wise of Castile (r. 1252-1284), amidst an upsurge of Marian devotion and a simultaneous proliferation of vernacular poetry and monophonic music, all outgrowths of the twelfth century. This thesis shows not just that music, lyric, and narrative converge in the cantigas de miragro (miracle songs), but that it is specifically the form that allows the melody of the refrain to connect the moral of the song, expressed lyrically during the refrain, to the miracle narrative presented in the verses. Selections from the Toledo Codex illustrate that the cantigas’ melodies, which are deployed using two specific musical forms, virelai and Andalusian rondeau, reinforce their devotional intent. The musical structure strengthens both story and moral in each cantiga, thus joining music, lyric, and narrative to allow Cantigas de Santa Maria to be a uniquely powerful vehicle for Marian devotion.","abstract_has_math":false,"creators":["Granda, Victoria C."],"institution":"Case Western Reserve University School of Graduate Studies","degree_name":"Master of Arts","degree_level":"masters","degree_discipline":"Music History","degree_department":null,"school":null,"contributors":["Rothenberg, David"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-08-16","date_published":"2013-08-16","updated_at":"2026-07-24T03:37:16Z","subjects":["Music","Middle Ages","Cantigas de Santa Maria","medieval Spain","Alfonso el Sabio","Alfonso the Wise","Alfonso X","thirteenth-century","Marian devotion","medieval narrative","virelai","medieval lyric","cantigas"],"languages":["English"],"rights":["unrestricted","This thesis or dissertation is protected by copyright: some rights reserved. 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Specific terms and permissions are available from this document's record in the OhioLINK ETD Center."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://rave.ohiolink.edu/etdc/view?acc_num=case1365170590","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Rothenberg, David"]},{"key":"dc:creator","label":"Author","values":["Granda, Victoria C."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2013-08-16"]},{"key":"dc:publisher","label":"Institution","values":["Case Western Reserve University School of Graduate Studies / OhioLINK"]},{"key":"dc:type","label":"Dc Type","values":["Electronic Thesis or Dissertation"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Case Western Reserve University School of Graduate Studies"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music","Middle Ages","Cantigas de Santa Maria","medieval Spain","Alfonso el Sabio","Alfonso the Wise","Alfonso X","thirteenth-century","Marian devotion","medieval narrative","virelai","medieval lyric","cantigas"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","This thesis or dissertation is protected by copyright: some rights reserved. 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This thesis shows not just that music, lyric, and narrative converge in the cantigas de miragro (miracle songs), but that it is specifically the form that allows the melody of the refrain to connect the moral of the song, expressed lyrically during the refrain, to the miracle narrative presented in the verses. Selections from the Toledo Codex illustrate that the cantigas’ melodies, which are deployed using two specific musical forms, virelai and Andalusian rondeau, reinforce their devotional intent. The musical structure strengthens both story and moral in each cantiga, thus joining music, lyric, and narrative to allow Cantigas de Santa Maria to be a uniquely powerful vehicle for Marian devotion."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf","p.109","1.23 MB"]},{"key":"dc:title","label":"Title","values":["Marian Devotion Through Music, Lyric, and Miracle Narrative in the Cantigas de Santa Maria"]}]}],"canonical_facts":{"dc:contributor":["Rothenberg, David"],"dc:creator":["Granda, Victoria C."],"dc:date":["2013-08-16"],"dc:description":["The Cantigas de Santa Maria were compiled by King Alfonso X the Wise of Castile (r. 1252-1284), amidst an upsurge of Marian devotion and a simultaneous proliferation of vernacular poetry and monophonic music, all outgrowths of the twelfth century. This thesis shows not just that music, lyric, and narrative converge in the cantigas de miragro (miracle songs), but that it is specifically the form that allows the melody of the refrain to connect the moral of the song, expressed lyrically during the refrain, to the miracle narrative presented in the verses. Selections from the Toledo Codex illustrate that the cantigas’ melodies, which are deployed using two specific musical forms, virelai and Andalusian rondeau, reinforce their devotional intent. The musical structure strengthens both story and moral in each cantiga, thus joining music, lyric, and narrative to allow Cantigas de Santa Maria to be a uniquely powerful vehicle for Marian devotion."],"dc:format":["application/pdf","p.109","1.23 MB"],"dc:identifier":["http://rave.ohiolink.edu/etdc/view?acc_num=case1365170590"],"dc:language":["English"],"dc:publisher":["Case Western Reserve University School of Graduate Studies / OhioLINK"],"dc:rights":["unrestricted","This thesis or dissertation is protected by copyright: some rights reserved. It is licensed for use under a Creative Commons license. Specific terms and permissions are available from this document's record in the OhioLINK ETD Center."],"dc:subject":["Music","Middle Ages","Cantigas de Santa Maria","medieval Spain","Alfonso el Sabio","Alfonso the Wise","Alfonso X","thirteenth-century","Marian devotion","medieval narrative","virelai","medieval lyric","cantigas"],"dc:title":["Marian Devotion Through Music, Lyric, and Miracle Narrative in the Cantigas de Santa Maria"],"dc:type":["Electronic Thesis or Dissertation"],"thesis:degree_discipline":["Music History"],"thesis:degree_level":["masters"],"thesis:degree_name":["Master of Arts"],"thesis:institution_name":["Case Western Reserve University School of Graduate Studies"]},"updated_at":"2026-07-24T03:37:16Z"}