{"id":{"repo_id":"ohiolink","oai_identifier":"oai:etd.ohiolink.edu:bgsu1363302588"},"canonical_url":"https://search.dev.ndltd.org/etd/ohiolink/oai:etd.ohiolink.edu:bgsu1363302588","repository":{"repo_id":"ohiolink","name":"OhioLINK","base_url":"https://etd.ohiolink.edu/acprod/odb_etd/ws/oai/oai"},"display":{"title":"then moored","abstract":"In undertaking the thesis, I focused on the mediums of both traditional and more experimental fiction in order to explore the choices we, the collective of humanity, make. The short-story collection, then moored, composed of both shorts and longer fiction, predominantly explores relationships between human beings and how such relationships react under the pressure of abject guilt, responsibility or obligation, and loss. In my collection, characters struggle with enormous burdens—a superhero commits manslaughter, a woman agonizes over an apartment fire that she may have been accessory to, a mother slowly crumbles under the weight of a husband and child who don’t listen to her—and either allow, or refuse, to let these burdens define them. Some characters break free of their perceived obligations: They leave their abusers, accept the love of a family, let in grief for dead lovers, and find the end of love is not the end of all love. Others succumb and are driven by this negative energy.The collection is organized in an order that represents a thematic journey such as the ones the fictional characters have embarked upon: growing dissent followed by more open discord, self-hatred accumulating into self-destruction, and at last, loss and acceptance, the renewal of love gentling those things we cannot change. I committed myself to research of social and familial disturbances in many cases in order to portray events as close to reality as possible in a fictional world. Largely, the collection relies on the emotional journey rather than fact, but facts alone can support its often hefty weight. Certain stories—e.g., the discovery of the Jenny as featured in the story “then moored”—embellish on history.The collection then moored surmises, through the medium of fiction, that people react to “unbearable” burdens in different ways—some leading to ruin, others to renewal. The stories may be either realistic or hint at magical realism, depending on the content. Likewise, the collection features a variety of point-of-view adaptations, including predominantly second person and limited or roving third person.","abstract_html":"In undertaking the thesis, I focused on the mediums of both traditional and more experimental fiction in order to explore the choices we, the collective of humanity, make. The short-story collection, then moored, composed of both shorts and longer fiction, predominantly explores relationships between human beings and how such relationships react under the pressure of abject guilt, responsibility or obligation, and loss. In my collection, characters struggle with enormous burdens—a superhero commits manslaughter, a woman agonizes over an apartment fire that she may have been accessory to, a mother slowly crumbles under the weight of a husband and child who don’t listen to her—and either allow, or refuse, to let these burdens define them. Some characters break free of their perceived obligations: They leave their abusers, accept the love of a family, let in grief for dead lovers, and find the end of love is not the end of all love. Others succumb and are driven by this negative energy.The collection is organized in an order that represents a thematic journey such as the ones the fictional characters have embarked upon: growing dissent followed by more open discord, self-hatred accumulating into self-destruction, and at last, loss and acceptance, the renewal of love gentling those things we cannot change. I committed myself to research of social and familial disturbances in many cases in order to portray events as close to reality as possible in a fictional world. Largely, the collection relies on the emotional journey rather than fact, but facts alone can support its often hefty weight. Certain stories—e.g., the discovery of the Jenny as featured in the story “then moored”—embellish on history.The collection then moored surmises, through the medium of fiction, that people react to “unbearable” burdens in different ways—some leading to ruin, others to renewal. The stories may be either realistic or hint at magical realism, depending on the content. Likewise, the collection features a variety of point-of-view adaptations, including predominantly second person and limited or roving third person.","abstract_has_math":false,"creators":["Mickael, Melissa Louise"],"institution":"Bowling Green State University","degree_name":"Master of Fine Arts (MFA)","degree_level":"masters","degree_discipline":"Creative Writing/Fiction","degree_department":null,"school":null,"contributors":["Mayo, Wendell"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-05-29","date_published":"2013-05-29","updated_at":"2026-07-24T03:36:39Z","subjects":["Fine Arts","fiction","short stories","collection","creative writing","regret","responsibility","grief","guilt","redemption","love","loss"],"languages":["English"],"rights":["restricted--full text not available online","This thesis or dissertation is protected by copyright: all rights reserved. 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In my collection, characters struggle with enormous burdens—a superhero commits manslaughter, a woman agonizes over an apartment fire that she may have been accessory to, a mother slowly crumbles under the weight of a husband and child who don’t listen to her—and either allow, or refuse, to let these burdens define them. Some characters break free of their perceived obligations: They leave their abusers, accept the love of a family, let in grief for dead lovers, and find the end of love is not the end of all love. Others succumb and are driven by this negative energy.The collection is organized in an order that represents a thematic journey such as the ones the fictional characters have embarked upon: growing dissent followed by more open discord, self-hatred accumulating into self-destruction, and at last, loss and acceptance, the renewal of love gentling those things we cannot change. I committed myself to research of social and familial disturbances in many cases in order to portray events as close to reality as possible in a fictional world. Largely, the collection relies on the emotional journey rather than fact, but facts alone can support its often hefty weight. Certain stories—e.g., the discovery of the Jenny as featured in the story “then moored”—embellish on history.The collection then moored surmises, through the medium of fiction, that people react to “unbearable” burdens in different ways—some leading to ruin, others to renewal. The stories may be either realistic or hint at magical realism, depending on the content. Likewise, the collection features a variety of point-of-view adaptations, including predominantly second person and limited or roving third person."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf","p.136"]},{"key":"dc:title","label":"Title","values":["then moored"]}]}],"canonical_facts":{"dc:contributor":["Mayo, Wendell"],"dc:creator":["Mickael, Melissa Louise"],"dc:date":["2013-05-29"],"dc:description":["In undertaking the thesis, I focused on the mediums of both traditional and more experimental fiction in order to explore the choices we, the collective of humanity, make. The short-story collection, then moored, composed of both shorts and longer fiction, predominantly explores relationships between human beings and how such relationships react under the pressure of abject guilt, responsibility or obligation, and loss. In my collection, characters struggle with enormous burdens—a superhero commits manslaughter, a woman agonizes over an apartment fire that she may have been accessory to, a mother slowly crumbles under the weight of a husband and child who don’t listen to her—and either allow, or refuse, to let these burdens define them. Some characters break free of their perceived obligations: They leave their abusers, accept the love of a family, let in grief for dead lovers, and find the end of love is not the end of all love. Others succumb and are driven by this negative energy.The collection is organized in an order that represents a thematic journey such as the ones the fictional characters have embarked upon: growing dissent followed by more open discord, self-hatred accumulating into self-destruction, and at last, loss and acceptance, the renewal of love gentling those things we cannot change. I committed myself to research of social and familial disturbances in many cases in order to portray events as close to reality as possible in a fictional world. Largely, the collection relies on the emotional journey rather than fact, but facts alone can support its often hefty weight. Certain stories—e.g., the discovery of the Jenny as featured in the story “then moored”—embellish on history.The collection then moored surmises, through the medium of fiction, that people react to “unbearable” burdens in different ways—some leading to ruin, others to renewal. The stories may be either realistic or hint at magical realism, depending on the content. 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It may not be copied or redistributed beyond the terms of applicable copyright laws."],"dc:subject":["Fine Arts","fiction","short stories","collection","creative writing","regret","responsibility","grief","guilt","redemption","love","loss"],"dc:title":["then moored"],"dc:type":["Electronic Thesis or Dissertation"],"thesis:degree_discipline":["Creative Writing/Fiction"],"thesis:degree_level":["masters"],"thesis:degree_name":["Master of Fine Arts (MFA)"],"thesis:institution_name":["Bowling Green State University"]},"updated_at":"2026-07-24T03:36:39Z"}