{"id":{"repo_id":"nus","oai_identifier":"oai:scholarbank.nus.edu.sg:10635/121976"},"canonical_url":"https://search.dev.ndltd.org/etd/nus/oai:scholarbank.nus.edu.sg:10635/121976","repository":{"repo_id":"nus","name":"National University of Singapore","base_url":"https://scholarbank.nus.edu.sg/oai/request"},"display":{"title":"WESTERN MUSIC BY ITS OTHERS: OVERSEAS FILIPINO MUSICIANS AND THE GEOGRAPHIES OF MIGRANT CREATIVE LABOR","abstract":"This thesis provides a labor and cultural geography of creative production at the global periphery. Using qualitative data collected from 2012-2013 in the Philippines, Macao, Hong Kong, Singapore, and Malaysia, the research presents the creative sector of live music performance in hotels, theme parks, and cruise ships as a complex migrant labor economy, one in which Overseas Filipino Musicians (OFMs) emerge as a numerically significant yet systematically marginalized niche of creative workers. The research investigates how the periphery is produced and maintained via three production sociospatialities: the production of live music entertainment as an embodied and emplaced product, the reputational and interracial hierarchies of musicians as migrant creative workers; and the third-party management of OFMs? labor mobilities. I argue that the value of migrant creative workers such as OFMs is ultimately configured as a flexible resource for the precarious post-Fordist conditions of transnational service and creative work.","abstract_html":"This thesis provides a labor and cultural geography of creative production at the global periphery. Using qualitative data collected from 2012-2013 in the Philippines, Macao, Hong Kong, Singapore, and Malaysia, the research presents the creative sector of live music performance in hotels, theme parks, and cruise ships as a complex migrant labor economy, one in which Overseas Filipino Musicians (OFMs) emerge as a numerically significant yet systematically marginalized niche of creative workers. The research investigates how the periphery is produced and maintained via three production sociospatialities: the production of live music entertainment as an embodied and emplaced product, the reputational and interracial hierarchies of musicians as migrant creative workers; and the third-party management of OFMs? labor mobilities. I argue that the value of migrant creative workers such as OFMs is ultimately configured as a flexible resource for the precarious post-Fordist conditions of transnational service and creative work.","abstract_has_math":false,"creators":["ANJELINE ELOISA JAVATE DE DIOS"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-05-13","date_published":"2015-05-13","updated_at":"2026-07-24T03:33:22Z","subjects":["creative industries, creative labor, migration, music, entertainment"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["ANJELINE ELOISA JAVATE DE DIOS"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2015-05-13"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://scholarbank.nus.edu.sg/handle/10635/121976"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["creative industries, creative labor, migration, music, entertainment"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://scholarbank.nus.edu.sg/bitstreams/5073f824-81cd-4ce4-a6fd-83cbcc72e453/download","https://scholarbank.nus.edu.sg/bitstreams/5a6f962a-b8c6-4af8-9d4e-96f40d650794/download"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis provides a labor and cultural geography of creative production at the global periphery. 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