{"id":{"repo_id":"nodak","oai_identifier":"oai:commons.und.edu:theses-1518"},"canonical_url":"https://search.dev.ndltd.org/etd/nodak/oai:commons.und.edu:theses-1518","repository":{"repo_id":"nodak","name":"University of North Dakota","base_url":"https://commons.und.edu/do/oai/"},"display":{"title":"A Character Study of Two Trouser Roles For Mezzo-Soprano In Opera: \"Cherubino\" From W. A. Mozart's Le Nozze Di Figaro and \"Octavian\" From R. Strauss's Der Rosenkavalier","abstract":"<p>Trouser roles are roles in opera in which women portray young men. These roles present a special problem for the singer-actor - the problem of performing a character through transvestism.</p><p>This thesis is a study of two popular trouser roles for mezzo-soprano. It addresses the general history of trouser roles and the specific characters of \"Cherubino\" from W. A. Mozart's Le Nozze di Figaro and \"Octavian\" from R. Strauss's Der Rosenkavalier. The study analysis of these two roles incorporates the history of the characters as reflected through the development of librettos in which they appear, a character study focusing on acting and technical problems for the performer, and musical analysis relevant to the understanding of these two trouser roles.</p>","abstract_html":"&lt;p&gt;Trouser roles are roles in opera in which women portray young men. These roles present a special problem for the singer-actor - the problem of performing a character through transvestism.&lt;/p&gt;&lt;p&gt;This thesis is a study of two popular trouser roles for mezzo-soprano. It addresses the general history of trouser roles and the specific characters of &quot;Cherubino&quot; from W. A. Mozart&#x27;s Le Nozze di Figaro and &quot;Octavian&quot; from R. Strauss&#x27;s Der Rosenkavalier. The study analysis of these two roles incorporates the history of the characters as reflected through the development of librettos in which they appear, a character study focusing on acting and technical problems for the performer, and musical analysis relevant to the understanding of these two trouser roles.&lt;/p&gt;","abstract_has_math":false,"creators":["Hensrud-Kerian, Tammy Jo"],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":"Thesis","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1984,"date_issued":"1984-05-01T07:00:00Z","date_published":"1984-05-01T07:00:00Z","updated_at":"2026-07-24T03:25:20Z","subjects":[],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://commons.und.edu/theses/519","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Hensrud-Kerian, Tammy Jo"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://commons.und.edu/theses/519"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Trouser roles are roles in opera in which women portray young men. These roles present a special problem for the singer-actor - the problem of performing a character through transvestism.</p><p>This thesis is a study of two popular trouser roles for mezzo-soprano. It addresses the general history of trouser roles and the specific characters of \"Cherubino\" from W. A. Mozart's Le Nozze di Figaro and \"Octavian\" from R. Strauss's Der Rosenkavalier. The study analysis of these two roles incorporates the history of the characters as reflected through the development of librettos in which they appear, a character study focusing on acting and technical problems for the performer, and musical analysis relevant to the understanding of these two trouser roles.</p>"]},{"key":"dc:title","label":"Title","values":["A Character Study of Two Trouser Roles For Mezzo-Soprano In Opera: \"Cherubino\" From W. A. Mozart's Le Nozze Di Figaro and \"Octavian\" From R. Strauss's Der Rosenkavalier"]}]}],"canonical_facts":{"dc:creator":["Hensrud-Kerian, Tammy Jo"],"dc:description.abstract":["<p>Trouser roles are roles in opera in which women portray young men. These roles present a special problem for the singer-actor - the problem of performing a character through transvestism.</p><p>This thesis is a study of two popular trouser roles for mezzo-soprano. It addresses the general history of trouser roles and the specific characters of \"Cherubino\" from W. A. Mozart's Le Nozze di Figaro and \"Octavian\" from R. Strauss's Der Rosenkavalier. The study analysis of these two roles incorporates the history of the characters as reflected through the development of librettos in which they appear, a character study focusing on acting and technical problems for the performer, and musical analysis relevant to the understanding of these two trouser roles.</p>"],"dc:identifier":["https://commons.und.edu/theses/519"],"dc:title":["A Character Study of Two Trouser Roles For Mezzo-Soprano In Opera: \"Cherubino\" From W. A. Mozart's Le Nozze Di Figaro and \"Octavian\" From R. Strauss's Der Rosenkavalier"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T03:25:20Z"}