{"id":{"repo_id":"nmu","oai_identifier":"oai:commons.nmu.edu:theses-1927"},"canonical_url":"https://search.dev.ndltd.org/etd/nmu/oai:commons.nmu.edu:theses-1927","repository":{"repo_id":"nmu","name":"Northern Michigan University","base_url":"https://commons.nmu.edu/do/oai/"},"display":{"title":"Catasterisms","abstract":"<p><em>Catasterisms</em> is a collection of seven lyric essays exploring ideas of identity, relationships, and environment through the lens of Stacy Alaimo’s trans-corporeality. Each essay uses various forms to explore these concepts, utilizing concrete form, hybridized poetry and prose, and what Charles Olson refers to as projective verse. The essays use motifs like cell phone communication, star-gazing, and travel among many others to explore the ways in which individuals self-actualize through their relationships and their environment. Through emoji, photographs, and design, <em>Catasterisms </em>also uses the sense of sight in order to push the boundaries of traditional genres of writing and place itself in a unique position in the field of poetry and creative nonfiction.</p>","abstract_html":"&lt;p&gt;&lt;em&gt;Catasterisms&lt;/em&gt; is a collection of seven lyric essays exploring ideas of identity, relationships, and environment through the lens of Stacy Alaimo’s trans-corporeality. Each essay uses various forms to explore these concepts, utilizing concrete form, hybridized poetry and prose, and what Charles Olson refers to as projective verse. The essays use motifs like cell phone communication, star-gazing, and travel among many others to explore the ways in which individuals self-actualize through their relationships and their environment. Through emoji, photographs, and design, &lt;em&gt;Catasterisms &lt;/em&gt;also uses the sense of sight in order to push the boundaries of traditional genres of writing and place itself in a unique position in the field of poetry and creative nonfiction.&lt;/p&gt;","abstract_has_math":false,"creators":["Walker, Andrew D"],"institution":null,"degree_name":"Master of Fine Arts","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Matthew Gavin Frank"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-05-01T07:00:00Z","date_published":"2025-05-01T07:00:00Z","updated_at":"2026-07-24T03:24:36Z","subjects":["catasterisms","stars","creative nonfiction","poetry","hybrid","concrete writing","Nonfiction"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://commons.nmu.edu/theses/880","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Matthew Gavin Frank"]},{"key":"dc:creator","label":"Author","values":["Walker, Andrew D"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2030-03-20T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["catasterisms","stars","creative nonfiction","poetry","hybrid","concrete writing","Nonfiction"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://commons.nmu.edu/theses/880"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p><em>Catasterisms</em> is a collection of seven lyric essays exploring ideas of identity, relationships, and environment through the lens of Stacy Alaimo’s trans-corporeality. Each essay uses various forms to explore these concepts, utilizing concrete form, hybridized poetry and prose, and what Charles Olson refers to as projective verse. The essays use motifs like cell phone communication, star-gazing, and travel among many others to explore the ways in which individuals self-actualize through their relationships and their environment. Through emoji, photographs, and design, <em>Catasterisms </em>also uses the sense of sight in order to push the boundaries of traditional genres of writing and place itself in a unique position in the field of poetry and creative nonfiction.</p>"]},{"key":"dc:title","label":"Title","values":["Catasterisms"]}]}],"canonical_facts":{"dc:contributor":["Matthew Gavin Frank"],"dc:creator":["Walker, Andrew D"],"dc:date.available":["2030-03-20T07:00:00Z"],"dc:description.abstract":["<p><em>Catasterisms</em> is a collection of seven lyric essays exploring ideas of identity, relationships, and environment through the lens of Stacy Alaimo’s trans-corporeality. Each essay uses various forms to explore these concepts, utilizing concrete form, hybridized poetry and prose, and what Charles Olson refers to as projective verse. The essays use motifs like cell phone communication, star-gazing, and travel among many others to explore the ways in which individuals self-actualize through their relationships and their environment. Through emoji, photographs, and design, <em>Catasterisms </em>also uses the sense of sight in order to push the boundaries of traditional genres of writing and place itself in a unique position in the field of poetry and creative nonfiction.</p>"],"dc:identifier":["https://commons.nmu.edu/theses/880"],"dc:subject":["catasterisms","stars","creative nonfiction","poetry","hybrid","concrete writing","Nonfiction"],"dc:title":["Catasterisms"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts"]},"updated_at":"2026-07-24T03:24:36Z"}