{"id":{"repo_id":"nmu","oai_identifier":"oai:commons.nmu.edu:theses-1695"},"canonical_url":"https://search.dev.ndltd.org/etd/nmu/oai:commons.nmu.edu:theses-1695","repository":{"repo_id":"nmu","name":"Northern Michigan University","base_url":"https://commons.nmu.edu/do/oai/"},"display":{"title":"Skateboard Jesus","abstract":"<p><em>Skateboard Jesus</em> is a collection of poetry written in mostly first and second person free verse, containing in addition some prose poems and other forms harder to categorize. The poetry in this collection is largely narrative in structure, and engages with themes of identity and performance as objects of its larger concern, often filtered through the lens of music. In addition, my work often focuses on religion, mental health, and gender and sexuality. This collection, by the very nature of its concerns, engages in discussions of performance theory. Performance and narrative are inseparable entities, permeating every facet of our existence as vehicles for ideology and identity formation. This manifests in my writing in the tension inherent in the nexus of my identity as a queer Christian woman from the South.</p>","abstract_html":"&lt;p&gt;&lt;em&gt;Skateboard Jesus&lt;/em&gt; is a collection of poetry written in mostly first and second person free verse, containing in addition some prose poems and other forms harder to categorize. The poetry in this collection is largely narrative in structure, and engages with themes of identity and performance as objects of its larger concern, often filtered through the lens of music. In addition, my work often focuses on religion, mental health, and gender and sexuality. This collection, by the very nature of its concerns, engages in discussions of performance theory. Performance and narrative are inseparable entities, permeating every facet of our existence as vehicles for ideology and identity formation. This manifests in my writing in the tension inherent in the nexus of my identity as a queer Christian woman from the South.&lt;/p&gt;","abstract_has_math":false,"creators":["Alligood, Kenley"],"institution":null,"degree_name":"Master of Fine Arts","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Dr. Patricia Killelea"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2021,"date_issued":"2021-05-01T07:00:00Z","date_published":"2021-05-01T07:00:00Z","updated_at":"2026-07-24T03:24:17Z","subjects":["poetry","music","queer theory","performance theory","identity","religion","punk","mental health"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://commons.nmu.edu/theses/665","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Patricia Killelea"]},{"key":"dc:creator","label":"Author","values":["Alligood, Kenley"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2026-03-29T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["poetry","music","queer theory","performance theory","identity","religion","punk","mental health"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://commons.nmu.edu/theses/665"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p><em>Skateboard Jesus</em> is a collection of poetry written in mostly first and second person free verse, containing in addition some prose poems and other forms harder to categorize. The poetry in this collection is largely narrative in structure, and engages with themes of identity and performance as objects of its larger concern, often filtered through the lens of music. In addition, my work often focuses on religion, mental health, and gender and sexuality. This collection, by the very nature of its concerns, engages in discussions of performance theory. Performance and narrative are inseparable entities, permeating every facet of our existence as vehicles for ideology and identity formation. This manifests in my writing in the tension inherent in the nexus of my identity as a queer Christian woman from the South.</p>"]},{"key":"dc:title","label":"Title","values":["Skateboard Jesus"]}]}],"canonical_facts":{"dc:contributor":["Dr. Patricia Killelea"],"dc:creator":["Alligood, Kenley"],"dc:date.available":["2026-03-29T07:00:00Z"],"dc:description.abstract":["<p><em>Skateboard Jesus</em> is a collection of poetry written in mostly first and second person free verse, containing in addition some prose poems and other forms harder to categorize. The poetry in this collection is largely narrative in structure, and engages with themes of identity and performance as objects of its larger concern, often filtered through the lens of music. In addition, my work often focuses on religion, mental health, and gender and sexuality. This collection, by the very nature of its concerns, engages in discussions of performance theory. Performance and narrative are inseparable entities, permeating every facet of our existence as vehicles for ideology and identity formation. This manifests in my writing in the tension inherent in the nexus of my identity as a queer Christian woman from the South.</p>"],"dc:identifier":["https://commons.nmu.edu/theses/665"],"dc:subject":["poetry","music","queer theory","performance theory","identity","religion","punk","mental health"],"dc:title":["Skateboard Jesus"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts"]},"updated_at":"2026-07-24T03:24:17Z"}