{"id":{"repo_id":"nmu","oai_identifier":"oai:commons.nmu.edu:theses-1124"},"canonical_url":"https://search.dev.ndltd.org/etd/nmu/oai:commons.nmu.edu:theses-1124","repository":{"repo_id":"nmu","name":"Northern Michigan University","base_url":"https://commons.nmu.edu/do/oai/"},"display":{"title":"Blind but Seeing: Post-clinical Medicine in Jose Saramago's Blindness","abstract":"<p>This project examines José Saramago’s <em>Blindness</em> (1996) in the context of two other narratives focused on plagues and epidemics – Daniel Defoe’s <em>A Journal of the Plague Year</em> (1722) and Albert Camus’ <em>The Plague </em>(1947) – each written at different points in time during the development of clinical medicine as chronicled by Michel Foucault’s <em>Birth of the Clinic</em>. The paper draws heavily upon Foucault’s work on clinical medicine, as well as a number of different theories of medical history, government policy, and cultural attitudes towards health and illness. The goal of the project is twofold: first, to examine how the traditional elements in narratives of plague interact with and change in the presence of the relatively new phenomenon of clinical medicine, and second, to understand how Saramago’s <em>Blindness</em> reveals and critiques these changes via a term I dub <em>post-clinical</em>. This demonstrates the ability of literary plague narratives to both understand and critique the medical industry at large.</p>","abstract_html":"&lt;p&gt;This project examines José Saramago’s &lt;em&gt;Blindness&lt;/em&gt; (1996) in the context of two other narratives focused on plagues and epidemics – Daniel Defoe’s &lt;em&gt;A Journal of the Plague Year&lt;/em&gt; (1722) and Albert Camus’ &lt;em&gt;The Plague &lt;/em&gt;(1947) – each written at different points in time during the development of clinical medicine as chronicled by Michel Foucault’s &lt;em&gt;Birth of the Clinic&lt;/em&gt;. The paper draws heavily upon Foucault’s work on clinical medicine, as well as a number of different theories of medical history, government policy, and cultural attitudes towards health and illness. The goal of the project is twofold: first, to examine how the traditional elements in narratives of plague interact with and change in the presence of the relatively new phenomenon of clinical medicine, and second, to understand how Saramago’s &lt;em&gt;Blindness&lt;/em&gt; reveals and critiques these changes via a term I dub &lt;em&gt;post-clinical&lt;/em&gt;. This demonstrates the ability of literary plague narratives to both understand and critique the medical industry at large.&lt;/p&gt;","abstract_has_math":false,"creators":["Ftacek, Matthew J"],"institution":null,"degree_name":"Master of Arts","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Dr. Russell Prather"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-08-01T07:00:00Z","date_published":"2016-08-01T07:00:00Z","updated_at":"2026-07-24T03:23:47Z","subjects":["Literature","Foucault","Medicine","Plague","Defoe","Camus","Clinical Medicine","Disease","History of Science, Technology, and Medicine","Literature in English, Anglophone outside British Isles and North America","Literature in English, British Isles"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://commons.nmu.edu/theses/101","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Russell Prather"]},{"key":"dc:creator","label":"Author","values":["Ftacek, Matthew J"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2016-07-08T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature","Foucault","Medicine","Plague","Defoe","Camus","Clinical Medicine","Disease","History of Science, Technology, and Medicine","Literature in English, Anglophone outside British Isles and North America","Literature in English, British Isles"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://commons.nmu.edu/theses/101"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This project examines José Saramago’s <em>Blindness</em> (1996) in the context of two other narratives focused on plagues and epidemics – Daniel Defoe’s <em>A Journal of the Plague Year</em> (1722) and Albert Camus’ <em>The Plague </em>(1947) – each written at different points in time during the development of clinical medicine as chronicled by Michel Foucault’s <em>Birth of the Clinic</em>. The paper draws heavily upon Foucault’s work on clinical medicine, as well as a number of different theories of medical history, government policy, and cultural attitudes towards health and illness. The goal of the project is twofold: first, to examine how the traditional elements in narratives of plague interact with and change in the presence of the relatively new phenomenon of clinical medicine, and second, to understand how Saramago’s <em>Blindness</em> reveals and critiques these changes via a term I dub <em>post-clinical</em>. This demonstrates the ability of literary plague narratives to both understand and critique the medical industry at large.</p>"]},{"key":"dc:title","label":"Title","values":["Blind but Seeing: Post-clinical Medicine in Jose Saramago's Blindness"]}]}],"canonical_facts":{"dc:contributor":["Dr. Russell Prather"],"dc:creator":["Ftacek, Matthew J"],"dc:date.available":["2016-07-08T07:00:00Z"],"dc:description.abstract":["<p>This project examines José Saramago’s <em>Blindness</em> (1996) in the context of two other narratives focused on plagues and epidemics – Daniel Defoe’s <em>A Journal of the Plague Year</em> (1722) and Albert Camus’ <em>The Plague </em>(1947) – each written at different points in time during the development of clinical medicine as chronicled by Michel Foucault’s <em>Birth of the Clinic</em>. The paper draws heavily upon Foucault’s work on clinical medicine, as well as a number of different theories of medical history, government policy, and cultural attitudes towards health and illness. The goal of the project is twofold: first, to examine how the traditional elements in narratives of plague interact with and change in the presence of the relatively new phenomenon of clinical medicine, and second, to understand how Saramago’s <em>Blindness</em> reveals and critiques these changes via a term I dub <em>post-clinical</em>. This demonstrates the ability of literary plague narratives to both understand and critique the medical industry at large.</p>"],"dc:identifier":["https://commons.nmu.edu/theses/101"],"dc:subject":["Literature","Foucault","Medicine","Plague","Defoe","Camus","Clinical Medicine","Disease","History of Science, Technology, and Medicine","Literature in English, Anglophone outside British Isles and North America","Literature in English, British Isles"],"dc:title":["Blind but Seeing: Post-clinical Medicine in Jose Saramago's Blindness"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T03:23:47Z"}