{"id":{"repo_id":"national-louis","oai_identifier":"oai:digitalcommons.nl.edu:diss-1190"},"canonical_url":"https://search.dev.ndltd.org/etd/national-louis/oai:digitalcommons.nl.edu:diss-1190","repository":{"repo_id":"national-louis","name":"National-Louis University","base_url":"https://digitalcommons.nl.edu/do/oai/"},"display":{"title":"Vagabond: Returning To Autoethnography As A Doctoral Nomad","abstract":"<p><em>Vagabond: Returning to Autoethnography as a Doctoral Nomad </em>is a journey into what is described as a purposeful and rhizomatic inquiry of spaces and places in knowing. It prompts questioning within the author such as, “What has this doctoral journey come to mean, and where do I go now as I step outside the roots which have planted in me this need to wander? How do I navigate this struggle?” The work is a coming-to-terms piece. It is a hopeful wandering and documented artifact capturing an organic process of unlearning, relearning, and examining locations of <em>being, </em>while recognizing the emergent need to embrace fracture, fiction, and multiple conflicting positions. By returning to ethnographies or artifacts constructed throughout the doctoral journey as a “doctoral neophyte,” the stage is set for an interpretative performance in poststructural fashion. Positioning and contrasting interviews, poems, and essays written during the coursework as a doctoral student begins to capture the intersecting positions of walking as a mother, teacher, and woman. These narratives are offered as data and then juxtaposed with cultural artifacts authored by some of the <em>Riot Grrrl</em> “zinesters” of the 1990s. Through the folding and positioning of such work, the readers are invited to participate in a poststructural journey as a nomadic inquirer, walking with the author in the hopes to <em>become-other</em>. In documenting this journey or doctoral-audit-trail of deconstruction, the middle ground is worked between the spaces of academic curriculum and lived experiences. This Deleuzian <em>line of flight</em> takes the reader through stories of vulnerability, challenges commonsense assumptions, defines metanarratives, and questions certainty. In regards to curriculum studies, this work is a coming to: a <em>becoming.</em> It celebrates and embraces curriculum as a life event that can be used as a tool for transformation.</p>","abstract_html":"&lt;p&gt;&lt;em&gt;Vagabond: Returning to Autoethnography as a Doctoral Nomad &lt;/em&gt;is a journey into what is described as a purposeful and rhizomatic inquiry of spaces and places in knowing. It prompts questioning within the author such as, “What has this doctoral journey come to mean, and where do I go now as I step outside the roots which have planted in me this need to wander? How do I navigate this struggle?” The work is a coming-to-terms piece. It is a hopeful wandering and documented artifact capturing an organic process of unlearning, relearning, and examining locations of &lt;em&gt;being, &lt;/em&gt;while recognizing the emergent need to embrace fracture, fiction, and multiple conflicting positions. By returning to ethnographies or artifacts constructed throughout the doctoral journey as a “doctoral neophyte,” the stage is set for an interpretative performance in poststructural fashion. Positioning and contrasting interviews, poems, and essays written during the coursework as a doctoral student begins to capture the intersecting positions of walking as a mother, teacher, and woman. These narratives are offered as data and then juxtaposed with cultural artifacts authored by some of the &lt;em&gt;Riot Grrrl&lt;/em&gt; “zinesters” of the 1990s. Through the folding and positioning of such work, the readers are invited to participate in a poststructural journey as a nomadic inquirer, walking with the author in the hopes to &lt;em&gt;become-other&lt;/em&gt;. In documenting this journey or doctoral-audit-trail of deconstruction, the middle ground is worked between the spaces of academic curriculum and lived experiences. This Deleuzian &lt;em&gt;line of flight&lt;/em&gt; takes the reader through stories of vulnerability, challenges commonsense assumptions, defines metanarratives, and questions certainty. In regards to curriculum studies, this work is a coming to: a &lt;em&gt;becoming.&lt;/em&gt; It celebrates and embraces curriculum as a life event that can be used as a tool for transformation.&lt;/p&gt;","abstract_has_math":false,"creators":["McElroy, Karyn"],"institution":null,"degree_name":"Ed.D. Doctor of Education","degree_level":"Dissertation - Public Access","degree_discipline":"Curriculum, Advocacy, and Policy","degree_department":null,"school":null,"contributors":["Antonina Lukenchuk","Patrick Roberts","Eleanor Binstock"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-09-01T07:00:00Z","date_published":"2016-09-01T07:00:00Z","updated_at":"2026-07-24T03:20:32Z","subjects":["poststructuralism","feminism","bricoleur","rhizome","performance","Curriculum and Social Inquiry","Education"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.nl.edu/diss/184","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Antonina Lukenchuk","Patrick Roberts","Eleanor Binstock"]},{"key":"dc:creator","label":"Author","values":["McElroy, Karyn"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2016-09-09T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Curriculum, Advocacy, and Policy"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation - Public Access"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ed.D. 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It is a hopeful wandering and documented artifact capturing an organic process of unlearning, relearning, and examining locations of <em>being, </em>while recognizing the emergent need to embrace fracture, fiction, and multiple conflicting positions. By returning to ethnographies or artifacts constructed throughout the doctoral journey as a “doctoral neophyte,” the stage is set for an interpretative performance in poststructural fashion. Positioning and contrasting interviews, poems, and essays written during the coursework as a doctoral student begins to capture the intersecting positions of walking as a mother, teacher, and woman. These narratives are offered as data and then juxtaposed with cultural artifacts authored by some of the <em>Riot Grrrl</em> “zinesters” of the 1990s. Through the folding and positioning of such work, the readers are invited to participate in a poststructural journey as a nomadic inquirer, walking with the author in the hopes to <em>become-other</em>. In documenting this journey or doctoral-audit-trail of deconstruction, the middle ground is worked between the spaces of academic curriculum and lived experiences. This Deleuzian <em>line of flight</em> takes the reader through stories of vulnerability, challenges commonsense assumptions, defines metanarratives, and questions certainty. In regards to curriculum studies, this work is a coming to: a <em>becoming.</em> It celebrates and embraces curriculum as a life event that can be used as a tool for transformation.</p>"]},{"key":"dc:title","label":"Title","values":["Vagabond: Returning To Autoethnography As A Doctoral Nomad"]}]}],"canonical_facts":{"dc:contributor":["Antonina Lukenchuk","Patrick Roberts","Eleanor Binstock"],"dc:creator":["McElroy, Karyn"],"dc:date.available":["2016-09-09T07:00:00Z"],"dc:description.abstract":["<p><em>Vagabond: Returning to Autoethnography as a Doctoral Nomad </em>is a journey into what is described as a purposeful and rhizomatic inquiry of spaces and places in knowing. It prompts questioning within the author such as, “What has this doctoral journey come to mean, and where do I go now as I step outside the roots which have planted in me this need to wander? How do I navigate this struggle?” The work is a coming-to-terms piece. It is a hopeful wandering and documented artifact capturing an organic process of unlearning, relearning, and examining locations of <em>being, </em>while recognizing the emergent need to embrace fracture, fiction, and multiple conflicting positions. By returning to ethnographies or artifacts constructed throughout the doctoral journey as a “doctoral neophyte,” the stage is set for an interpretative performance in poststructural fashion. Positioning and contrasting interviews, poems, and essays written during the coursework as a doctoral student begins to capture the intersecting positions of walking as a mother, teacher, and woman. These narratives are offered as data and then juxtaposed with cultural artifacts authored by some of the <em>Riot Grrrl</em> “zinesters” of the 1990s. Through the folding and positioning of such work, the readers are invited to participate in a poststructural journey as a nomadic inquirer, walking with the author in the hopes to <em>become-other</em>. In documenting this journey or doctoral-audit-trail of deconstruction, the middle ground is worked between the spaces of academic curriculum and lived experiences. This Deleuzian <em>line of flight</em> takes the reader through stories of vulnerability, challenges commonsense assumptions, defines metanarratives, and questions certainty. In regards to curriculum studies, this work is a coming to: a <em>becoming.</em> It celebrates and embraces curriculum as a life event that can be used as a tool for transformation.</p>"],"dc:identifier":["https://digitalcommons.nl.edu/diss/184"],"dc:subject":["poststructuralism","feminism","bricoleur","rhizome","performance","Curriculum and Social Inquiry","Education"],"dc:title":["Vagabond: Returning To Autoethnography As A Doctoral Nomad"],"thesis:degree_discipline":["Curriculum, Advocacy, and Policy"],"thesis:degree_level":["Dissertation - Public Access"],"thesis:degree_name":["Ed.D. Doctor of Education"]},"updated_at":"2026-07-24T03:20:32Z"}