{"id":{"repo_id":"national-louis","oai_identifier":"oai:digitalcommons.nl.edu:diss-1021"},"canonical_url":"https://search.dev.ndltd.org/etd/national-louis/oai:digitalcommons.nl.edu:diss-1021","repository":{"repo_id":"national-louis","name":"National-Louis University","base_url":"https://digitalcommons.nl.edu/do/oai/"},"display":{"title":"“The Negro Speaks of Rivers” An African Centered Historical Study of the Selfethnic Liberatory Education Nature and Goals of the Poetry of Langston Hughes: the Impact on Adult Education","abstract":"The purposes of this historical study were to 1) document the Selfethnic Liberatory adult education nature and goals of the poetry of Langston Hughes (from 1921 to 1933); and 2) to document the impact this poetry had on members of the African Diaspora. In addition, the goal of this research was to expand the historical knowledge base of the adult education field, so that it is more inclusive of the contributions of African Americans. This study addressed the problem that the historical and philosophical literature of the field does not to any significant degree include the intellectual and adult education contributions or activities of African Americans. Framed within an African Centered Historical Paradigm, this qualitative study analyzed sixteen of Hughes’ poems, his essay entitled, “The Negro Artist and the Racial Mountain”, (1926) and the foreword to his college senior research project. The units of analysis were the conceptual elements embedded in the Theory of Selfethnic Reflectors (Colin 1989) and the Theory of Selfethnic Liberatory Adult Education (Colin 1998). The results of the data analysis showed that each literary piece contained these conceptual elements: Hughes addressed the negative impact factors of sociocultural and intellectual racism; the substance of the selected works reflected African Centered concepts, including the Nguzo Saba; and/or that his goal was to facilitate the development a positive Selfethnic Image. Further, this study provided a new meaning construct for using literature art as a specific curricular element in Selfethnic Liberatory Adult Education; thus, the concept of Selfethnic Liberatory Literary Adult Education was developed.","abstract_html":"The purposes of this historical study were to 1) document the Selfethnic Liberatory adult education nature and goals of the poetry of Langston Hughes (from 1921 to 1933); and 2) to document the impact this poetry had on members of the African Diaspora. In addition, the goal of this research was to expand the historical knowledge base of the adult education field, so that it is more inclusive of the contributions of African Americans. This study addressed the problem that the historical and philosophical literature of the field does not to any significant degree include the intellectual and adult education contributions or activities of African Americans. Framed within an African Centered Historical Paradigm, this qualitative study analyzed sixteen of Hughes’ poems, his essay entitled, “The Negro Artist and the Racial Mountain”, (1926) and the foreword to his college senior research project. The units of analysis were the conceptual elements embedded in the Theory of Selfethnic Reflectors (Colin 1989) and the Theory of Selfethnic Liberatory Adult Education (Colin 1998). The results of the data analysis showed that each literary piece contained these conceptual elements: Hughes addressed the negative impact factors of sociocultural and intellectual racism; the substance of the selected works reflected African Centered concepts, including the Nguzo Saba; and/or that his goal was to facilitate the development a positive Selfethnic Image. Further, this study provided a new meaning construct for using literature art as a specific curricular element in Selfethnic Liberatory Adult Education; thus, the concept of Selfethnic Liberatory Literary Adult Education was developed.","abstract_has_math":false,"creators":["Howard, Sarah E."],"institution":null,"degree_name":"Ed.D. Doctor of Education","degree_level":"Dissertation - Public Access","degree_discipline":"Adult and Continuing Education","degree_department":null,"school":null,"contributors":["Dr. Scipio Colin III","Dr. Thomas Heaney","Dr. Derise Tolliver"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2009,"date_issued":"2009-06-01T07:00:00Z","date_published":"2009-06-01T07:00:00Z","updated_at":"2026-07-24T03:21:20Z","subjects":["Selfethnic","Selfethnic Reflectors","Theory of Selfethnic Reflectors","Theory of Selfethnic Liberatory Adult Education","Mis-education","Culturally Grounded Programs","Adult and Continuing Education and Teaching","African American Studies","African History","Curriculum and Instruction","Curriculum and Social Inquiry","History","Inequality and Stratification","Instructional Media Design","Philosophy of Mind","Political History","Quantitative, Qualitative, Comparative, and Historical Methodologies","Race and Ethnicity","Rhetoric","Social and Philosophical Foundations of Education","Social History","Sociology of Culture","Theory and Criticism","United States History"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.nl.edu/diss/21","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Scipio Colin III","Dr. Thomas Heaney","Dr. Derise Tolliver"]},{"key":"dc:creator","label":"Author","values":["Howard, Sarah E."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2009-12-24T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Adult and Continuing Education"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation - Public Access"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ed.D. 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In addition, the goal of this research was to expand the historical knowledge base of the adult education field, so that it is more inclusive of the contributions of African Americans. This study addressed the problem that the historical and philosophical literature of the field does not to any significant degree include the intellectual and adult education contributions or activities of African Americans. Framed within an African Centered Historical Paradigm, this qualitative study analyzed sixteen of Hughes’ poems, his essay entitled, “The Negro Artist and the Racial Mountain”, (1926) and the foreword to his college senior research project. The units of analysis were the conceptual elements embedded in the Theory of Selfethnic Reflectors (Colin 1989) and the Theory of Selfethnic Liberatory Adult Education (Colin 1998). The results of the data analysis showed that each literary piece contained these conceptual elements: Hughes addressed the negative impact factors of sociocultural and intellectual racism; the substance of the selected works reflected African Centered concepts, including the Nguzo Saba; and/or that his goal was to facilitate the development a positive Selfethnic Image. Further, this study provided a new meaning construct for using literature art as a specific curricular element in Selfethnic Liberatory Adult Education; thus, the concept of Selfethnic Liberatory Literary Adult Education was developed."]},{"key":"dc:title","label":"Title","values":["“The Negro Speaks of Rivers” An African Centered Historical Study of the Selfethnic Liberatory Education Nature and Goals of the Poetry of Langston Hughes: the Impact on Adult Education"]}]}],"canonical_facts":{"dc:contributor":["Dr. Scipio Colin III","Dr. Thomas Heaney","Dr. Derise Tolliver"],"dc:creator":["Howard, Sarah E."],"dc:date.available":["2009-12-24T08:00:00Z"],"dc:description.abstract":["The purposes of this historical study were to 1) document the Selfethnic Liberatory adult education nature and goals of the poetry of Langston Hughes (from 1921 to 1933); and 2) to document the impact this poetry had on members of the African Diaspora. In addition, the goal of this research was to expand the historical knowledge base of the adult education field, so that it is more inclusive of the contributions of African Americans. This study addressed the problem that the historical and philosophical literature of the field does not to any significant degree include the intellectual and adult education contributions or activities of African Americans. Framed within an African Centered Historical Paradigm, this qualitative study analyzed sixteen of Hughes’ poems, his essay entitled, “The Negro Artist and the Racial Mountain”, (1926) and the foreword to his college senior research project. The units of analysis were the conceptual elements embedded in the Theory of Selfethnic Reflectors (Colin 1989) and the Theory of Selfethnic Liberatory Adult Education (Colin 1998). The results of the data analysis showed that each literary piece contained these conceptual elements: Hughes addressed the negative impact factors of sociocultural and intellectual racism; the substance of the selected works reflected African Centered concepts, including the Nguzo Saba; and/or that his goal was to facilitate the development a positive Selfethnic Image. Further, this study provided a new meaning construct for using literature art as a specific curricular element in Selfethnic Liberatory Adult Education; thus, the concept of Selfethnic Liberatory Literary Adult Education was developed."],"dc:identifier":["https://digitalcommons.nl.edu/diss/21"],"dc:subject":["Selfethnic","Selfethnic Reflectors","Theory of Selfethnic Reflectors","Theory of Selfethnic Liberatory Adult Education","Mis-education","Culturally Grounded Programs","Adult and Continuing Education and Teaching","African American Studies","African History","Curriculum and Instruction","Curriculum and Social Inquiry","History","Inequality and Stratification","Instructional Media Design","Philosophy of Mind","Political History","Quantitative, Qualitative, Comparative, and Historical Methodologies","Race and Ethnicity","Rhetoric","Social and Philosophical Foundations of Education","Social History","Sociology of Culture","Theory and Criticism","United States History"],"dc:title":["“The Negro Speaks of Rivers” An African Centered Historical Study of the Selfethnic Liberatory Education Nature and Goals of the Poetry of Langston Hughes: the Impact on Adult Education"],"thesis:degree_discipline":["Adult and Continuing Education"],"thesis:degree_level":["Dissertation - Public Access"],"thesis:degree_name":["Ed.D. Doctor of Education"]},"updated_at":"2026-07-24T03:21:20Z"}