A comparative analysis of Afrofuturism, magical realism and African mythology in Namwali serpell's The old drift and Marlon Jame's Black leopard red wolf: An afrocentric perspective
Afrofuturism, Magical Realism and African Mythology are genres in literary fiction that can be used by authors and writers to explore difficult themes, complex characters, speculative settings and experimental plot points. While studies of these genres in literature exist, there has not been sufficient research in these concepts that centre the African perspective or explore the intersections of these genres. The main objective of this study was to investigate how Afrofuturism, Magical Realism and African Mythology are applied in the novels The Old Drift by Namwali Serpell and Black Leopard Red Wolf by Marlon James, to provide an analysis, explore new methods of theorising African literature and challenge current literary epistemologies. This study used the Afrocentric theoretical framework developed by Asante (1980) to meet said objectives and contextualise the analysis of the two novels. One of the main findings of this research outlined how instrumental Afrofuturism, Magical Realism and African Mythology are as literary genres in African literature as they allow authors to centre African perspectives. These perspectives thereby help cultivate a distinct lens that prioritises the African reader. Furthermore, the genres under investigation proved to be a resourceful way for African narratives immerging from the continent to explore a magnitude of complex themes. Lastly, the study recommends that more research on African literature from an Afrocentric perspective be conducted on other literary work produced in the genres of Afrofuturism, Magical Realism and African Mythology as there are more crucial insights yet to be uncovered.
Afrofuturism, Magical realism, African mythology
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