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University of Montana

PRAESENTIA EX MACHINA: The Millennial Technoculture, Liveness and Theatre

Abstract

dc:description.abstract

This work examines the modern technoculture, its component parts and the changing role of theatre in Anglo-American culture. Our contemporary society is marked by the ubiquity of digital technologies and has become reliant on their commodities. The emerging Millennial Generation has matured with many of these devices and has embraced the modern technoculture. Many changes in daily life brought on by new technologies are obvious, but fundamental shifts remain obscured by the nature of technology itself. These subtle transformations are cumulative and have caused a technological disorientation with broad reaching implications. Liveness, initially defined as that which is unrecorded, has been perceived in many new technological formats. This phenomenon, combined with pervasive digitization of information and entertainment has minimized the cultural significance of the theatrical arts. Theatre, however, offers a form of liveness that cannot be digitized. In its varied iterations, theatre may be a vital forum for combating technological disorientation and fostering pertinent social discourse as the technoculture develops.

Degree

thesis:*
Name thesis:degree_name
Master of Arts (MA)
Grantor dc:publisher
University of Montana
Year
2012

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Reimers, Reid J

Subjects

dc:subject × 4

Identifiers

dc:identifier.*
Repository record dc:identifier
https://scholarworks.umt.edu/etd/1356
OAI identifier oai:identifier
oai:scholarworks.umt.edu:etd-2375

Chain of custody

source
Harvested from
Montana Technology
Base URL
scholarworks.umt.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Reimers, Reid J. PRAESENTIA EX MACHINA: The Millennial Technoculture, Liveness and Theatre. University of Montana, 2012. https://scholarworks.umt.edu/etd/1356