{"id":{"repo_id":"montana-tech","oai_identifier":"oai:scholarworks.umt.edu:etd-2218"},"canonical_url":"https://search.dev.ndltd.org/etd/montana-tech/oai:scholarworks.umt.edu:etd-2218","repository":{"repo_id":"montana-tech","name":"Montana Technology","base_url":"https://scholarworks.umt.edu/do/oai/"},"display":{"title":"WRITING NEXT TO THE WEST: A SPATIAL CONSIDERATION OF WOMEN IN THE AMERICAN WEST","abstract":"Mary Clearman Blew and Judy Blunt are contemporary women writers of the American West. Both women grew up on ranches in Montana but left in adulthood. Despite leaving, each woman maintains significant intellectual and emotional connections to the land and culture of her youth in her writing. Blew's memoir All But the Waltz and Blunt’s memoir Breaking Clean reveal a friction between dependency on the land and necessary distancing from it that presents the opportunity to employ geographical analysis to the ways in which place figures into the production of identity and of these texts. In this paper, I seek to understand the tension between attachment to place and rejection of it. Humanist geography provides a framework for understanding this tension in Blew’s and Blunt’s memoirs. Specifically, landscape theories and feminist critical perspectives serve as methodologies to understand the construction of hegemonic places, and can elucidate women’s use of space to assert themselves in cultures where they had previously been prevented from doing so. This project brings to the fore ways women can make themselves visible from within a history that has sought to hide them, that of the American West. Through writing Blew and Blunt validate the feminine subject as a creator of knowledge; they also contribute their unique voices to the history of the American West, thus enriching and deepening its purview. Additionally, the interdisciplinary nature of this project demonstrates the use value of literature to the understanding of space and place in a humanist geography context.","abstract_html":"Mary Clearman Blew and Judy Blunt are contemporary women writers of the American West. Both women grew up on ranches in Montana but left in adulthood. Despite leaving, each woman maintains significant intellectual and emotional connections to the land and culture of her youth in her writing. Blew's memoir All But the Waltz and Blunt’s memoir Breaking Clean reveal a friction between dependency on the land and necessary distancing from it that presents the opportunity to employ geographical analysis to the ways in which place figures into the production of identity and of these texts. In this paper, I seek to understand the tension between attachment to place and rejection of it. Humanist geography provides a framework for understanding this tension in Blew’s and Blunt’s memoirs. Specifically, landscape theories and feminist critical perspectives serve as methodologies to understand the construction of hegemonic places, and can elucidate women’s use of space to assert themselves in cultures where they had previously been prevented from doing so. This project brings to the fore ways women can make themselves visible from within a history that has sought to hide them, that of the American West. Through writing Blew and Blunt validate the feminine subject as a creator of knowledge; they also contribute their unique voices to the history of the American West, thus enriching and deepening its purview. Additionally, the interdisciplinary nature of this project demonstrates the use value of literature to the understanding of space and place in a humanist geography context.","abstract_has_math":false,"creators":["Boeheim, Elizabeth Anne"],"institution":"University of Montana","degree_name":"Master of Arts (MA)","degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-01T08:00:00Z","date_published":"2011-01-01T08:00:00Z","updated_at":"2026-07-24T03:14:21Z","subjects":["All But the Waltz","American West","Breaking Clean","Homestead Act","Judy Blunt","Mary Clearman Blew","Montana","Ranching","Western Women"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.umt.edu/etd/1199","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Boeheim, Elizabeth Anne"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:publisher","label":"Institution","values":["University of Montana"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["All But the Waltz","American West","Breaking Clean","Homestead Act","Judy Blunt","Mary Clearman Blew","Montana","Ranching","Western Women"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.umt.edu/etd/1199"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Mary Clearman Blew and Judy Blunt are contemporary women writers of the American West. Both women grew up on ranches in Montana but left in adulthood. Despite leaving, each woman maintains significant intellectual and emotional connections to the land and culture of her youth in her writing. Blew's memoir All But the Waltz and Blunt’s memoir Breaking Clean reveal a friction between dependency on the land and necessary distancing from it that presents the opportunity to employ geographical analysis to the ways in which place figures into the production of identity and of these texts. In this paper, I seek to understand the tension between attachment to place and rejection of it. Humanist geography provides a framework for understanding this tension in Blew’s and Blunt’s memoirs. Specifically, landscape theories and feminist critical perspectives serve as methodologies to understand the construction of hegemonic places, and can elucidate women’s use of space to assert themselves in cultures where they had previously been prevented from doing so. This project brings to the fore ways women can make themselves visible from within a history that has sought to hide them, that of the American West. Through writing Blew and Blunt validate the feminine subject as a creator of knowledge; they also contribute their unique voices to the history of the American West, thus enriching and deepening its purview. Additionally, the interdisciplinary nature of this project demonstrates the use value of literature to the understanding of space and place in a humanist geography context."]},{"key":"dc:title","label":"Title","values":["WRITING NEXT TO THE WEST: A SPATIAL CONSIDERATION OF WOMEN IN THE AMERICAN WEST"]}]}],"canonical_facts":{"dc:creator":["Boeheim, Elizabeth Anne"],"dc:description.abstract":["Mary Clearman Blew and Judy Blunt are contemporary women writers of the American West. Both women grew up on ranches in Montana but left in adulthood. Despite leaving, each woman maintains significant intellectual and emotional connections to the land and culture of her youth in her writing. Blew's memoir All But the Waltz and Blunt’s memoir Breaking Clean reveal a friction between dependency on the land and necessary distancing from it that presents the opportunity to employ geographical analysis to the ways in which place figures into the production of identity and of these texts. In this paper, I seek to understand the tension between attachment to place and rejection of it. Humanist geography provides a framework for understanding this tension in Blew’s and Blunt’s memoirs. Specifically, landscape theories and feminist critical perspectives serve as methodologies to understand the construction of hegemonic places, and can elucidate women’s use of space to assert themselves in cultures where they had previously been prevented from doing so. This project brings to the fore ways women can make themselves visible from within a history that has sought to hide them, that of the American West. Through writing Blew and Blunt validate the feminine subject as a creator of knowledge; they also contribute their unique voices to the history of the American West, thus enriching and deepening its purview. Additionally, the interdisciplinary nature of this project demonstrates the use value of literature to the understanding of space and place in a humanist geography context."],"dc:identifier":["https://scholarworks.umt.edu/etd/1199"],"dc:publisher":["University of Montana"],"dc:subject":["All But the Waltz","American West","Breaking Clean","Homestead Act","Judy Blunt","Mary Clearman Blew","Montana","Ranching","Western Women"],"dc:title":["WRITING NEXT TO THE WEST: A SPATIAL CONSIDERATION OF WOMEN IN THE AMERICAN WEST"],"dc:type":["Thesis"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T03:14:21Z"}