{"id":{"repo_id":"montana-tech","oai_identifier":"oai:scholarworks.umt.edu:etd-1693"},"canonical_url":"https://search.dev.ndltd.org/etd/montana-tech/oai:scholarworks.umt.edu:etd-1693","repository":{"repo_id":"montana-tech","name":"Montana Technology","base_url":"https://scholarworks.umt.edu/do/oai/"},"display":{"title":"Moments of Being: Beauty in Virginia Woolf's Works","abstract":"This thesis seeks to explore how Virginia Woolf depicts beauty in the literary scenes, characters, and language in her fictional works. In The Voyage Out (1915), Woolf writes, “When one gave up seeing the beauty that clothed things, this was the skeleton beneath” (12). In this passage, Woolf is defining one aspect of beauty. Beauty can disguise and is transient. This thesis explores beauty as a meditation on time, loss, and recovery of the past in memory and in vision (grounded in creative memory). All of these meditations are dependent on characters’ moments of being, or their awareness of being human. My findings are based on discussions of To the Lighthouse (1927), Jacob’s Room (1922), Mrs. Dalloway (1925), and Between the Acts (1941).","abstract_html":"This thesis seeks to explore how Virginia Woolf depicts beauty in the literary scenes, characters, and language in her fictional works. In The Voyage Out (1915), Woolf writes, “When one gave up seeing the beauty that clothed things, this was the skeleton beneath” (12). In this passage, Woolf is defining one aspect of beauty. Beauty can disguise and is transient. This thesis explores beauty as a meditation on time, loss, and recovery of the past in memory and in vision (grounded in creative memory). All of these meditations are dependent on characters’ moments of being, or their awareness of being human. My findings are based on discussions of To the Lighthouse (1927), Jacob’s Room (1922), Mrs. Dalloway (1925), and Between the Acts (1941).","abstract_has_math":false,"creators":["Meusel, Kyndra Elizabeth"],"institution":"University of Montana","degree_name":"Master of Arts (MA)","degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-01-01T08:00:00Z","date_published":"2010-01-01T08:00:00Z","updated_at":"2026-07-24T03:13:45Z","subjects":["beauty","loss","memory","time","Virginia Woolf"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.umt.edu/etd/674","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Meusel, Kyndra Elizabeth"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:publisher","label":"Institution","values":["University of Montana"]},{"key":"dc:type","label":"Dc Type","values":["Thesis - Campus Access Only"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["beauty","loss","memory","time","Virginia Woolf"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.umt.edu/etd/674"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis seeks to explore how Virginia Woolf depicts beauty in the literary scenes, characters, and language in her fictional works. In The Voyage Out (1915), Woolf writes, “When one gave up seeing the beauty that clothed things, this was the skeleton beneath” (12). In this passage, Woolf is defining one aspect of beauty. Beauty can disguise and is transient. This thesis explores beauty as a meditation on time, loss, and recovery of the past in memory and in vision (grounded in creative memory). All of these meditations are dependent on characters’ moments of being, or their awareness of being human. My findings are based on discussions of To the Lighthouse (1927), Jacob’s Room (1922), Mrs. Dalloway (1925), and Between the Acts (1941)."]},{"key":"dc:title","label":"Title","values":["Moments of Being: Beauty in Virginia Woolf's Works"]}]}],"canonical_facts":{"dc:creator":["Meusel, Kyndra Elizabeth"],"dc:description.abstract":["This thesis seeks to explore how Virginia Woolf depicts beauty in the literary scenes, characters, and language in her fictional works. In The Voyage Out (1915), Woolf writes, “When one gave up seeing the beauty that clothed things, this was the skeleton beneath” (12). In this passage, Woolf is defining one aspect of beauty. Beauty can disguise and is transient. This thesis explores beauty as a meditation on time, loss, and recovery of the past in memory and in vision (grounded in creative memory). All of these meditations are dependent on characters’ moments of being, or their awareness of being human. My findings are based on discussions of To the Lighthouse (1927), Jacob’s Room (1922), Mrs. Dalloway (1925), and Between the Acts (1941)."],"dc:identifier":["https://scholarworks.umt.edu/etd/674"],"dc:publisher":["University of Montana"],"dc:subject":["beauty","loss","memory","time","Virginia Woolf"],"dc:title":["Moments of Being: Beauty in Virginia Woolf's Works"],"dc:type":["Thesis - Campus Access Only"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T03:13:45Z"}