{"id":{"repo_id":"mo-state","oai_identifier":"oai:bearworks.missouristate.edu:theses-2122"},"canonical_url":"https://search.dev.ndltd.org/etd/mo-state/oai:bearworks.missouristate.edu:theses-2122","repository":{"repo_id":"mo-state","name":"Missouri State University","base_url":"https://bearworks.missouristate.edu/do/oai/"},"display":{"title":"The Kingdom Falls","abstract":"The Kingdom Falls is a novel in eighteen chapters that occurs from the point of view of eighteen different characters within a medieval kingdom over the course of three days. Beginning from the perspective of a peasant and ending with the perspective of the king, the novel progresses through different viewpoints, ideas, and social constructs one perspective at a time. It examines morality, ethics, gender roles, masculinity, class distinctions, and social constructs through the lenses of characters as varied as a beggar on the street and the captain of the watch in an attempt to create a monomyth of the kingdom itself rather than any one central character. This deconstruction of the traditional monomyth comes with various other deconstructions. Preceding the novel is a critical introduction in which the author discusses the influence of Joseph Campbell's monomyth and Lubomir Dolezel's theory of possible worlds on the work, among other things.","abstract_html":"The Kingdom Falls is a novel in eighteen chapters that occurs from the point of view of eighteen different characters within a medieval kingdom over the course of three days. Beginning from the perspective of a peasant and ending with the perspective of the king, the novel progresses through different viewpoints, ideas, and social constructs one perspective at a time. It examines morality, ethics, gender roles, masculinity, class distinctions, and social constructs through the lenses of characters as varied as a beggar on the street and the captain of the watch in an attempt to create a monomyth of the kingdom itself rather than any one central character. This deconstruction of the traditional monomyth comes with various other deconstructions. Preceding the novel is a critical introduction in which the author discusses the influence of Joseph Campbell's monomyth and Lubomir Dolezel's theory of possible worlds on the work, among other things.","abstract_has_math":false,"creators":["Kimberlin, Matt"],"institution":null,"degree_name":"Master of Arts in English","degree_level":"Masters","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Wayne Blackmon"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-07-01T07:00:00Z","date_published":"2013-07-01T07:00:00Z","updated_at":"2026-07-24T03:16:11Z","subjects":["fiction","novel","point of view","ethics","morality","deconstruction","English Language and Literature"],"languages":[],"rights":["© Matt Kimberlin"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://bearworks.missouristate.edu/theses/1121","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Wayne Blackmon"]},{"key":"dc:creator","label":"Author","values":["Kimberlin, Matt"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in English"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["fiction","novel","point of view","ethics","morality","deconstruction","English Language and Literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© Matt Kimberlin"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://bearworks.missouristate.edu/theses/1121"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The Kingdom Falls is a novel in eighteen chapters that occurs from the point of view of eighteen different characters within a medieval kingdom over the course of three days. Beginning from the perspective of a peasant and ending with the perspective of the king, the novel progresses through different viewpoints, ideas, and social constructs one perspective at a time. It examines morality, ethics, gender roles, masculinity, class distinctions, and social constructs through the lenses of characters as varied as a beggar on the street and the captain of the watch in an attempt to create a monomyth of the kingdom itself rather than any one central character. This deconstruction of the traditional monomyth comes with various other deconstructions. Preceding the novel is a critical introduction in which the author discusses the influence of Joseph Campbell's monomyth and Lubomir Dolezel's theory of possible worlds on the work, among other things."]},{"key":"dc:title","label":"Title","values":["The Kingdom Falls"]}]}],"canonical_facts":{"dc:contributor":["Wayne Blackmon"],"dc:creator":["Kimberlin, Matt"],"dc:description.abstract":["The Kingdom Falls is a novel in eighteen chapters that occurs from the point of view of eighteen different characters within a medieval kingdom over the course of three days. Beginning from the perspective of a peasant and ending with the perspective of the king, the novel progresses through different viewpoints, ideas, and social constructs one perspective at a time. It examines morality, ethics, gender roles, masculinity, class distinctions, and social constructs through the lenses of characters as varied as a beggar on the street and the captain of the watch in an attempt to create a monomyth of the kingdom itself rather than any one central character. This deconstruction of the traditional monomyth comes with various other deconstructions. Preceding the novel is a critical introduction in which the author discusses the influence of Joseph Campbell's monomyth and Lubomir Dolezel's theory of possible worlds on the work, among other things."],"dc:identifier":["https://bearworks.missouristate.edu/theses/1121"],"dc:rights":["© Matt Kimberlin"],"dc:subject":["fiction","novel","point of view","ethics","morality","deconstruction","English Language and Literature"],"dc:title":["The Kingdom Falls"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Arts in English"]},"updated_at":"2026-07-24T03:16:11Z"}