{"id":{"repo_id":"mo-state","oai_identifier":"oai:bearworks.missouristate.edu:theses-2083"},"canonical_url":"https://search.dev.ndltd.org/etd/mo-state/oai:bearworks.missouristate.edu:theses-2083","repository":{"repo_id":"mo-state","name":"Missouri State University","base_url":"https://bearworks.missouristate.edu/do/oai/"},"display":{"title":"Controlling Creativity: The Power Of Drawing In Children's Literature","abstract":"In children’s literature, control is a recurring theme. Children try to find power however they can, but they are under control of adults. Since they are characters, though, the author has complete control of them, because he creates them. Creation is a form of power, then, and child characters can share in the control through the act of drawing. Readers can see this chair of power in the children’s fantasy books Skellig by David Almond, Coraline by Neil Gaiman, Zel by Donna Jo Napoli, and The Little Prince by Antoine de Saint-Exupery. In each of these books, the child characters are able to explore surroundings and events through the act of drawing. The children ultimately find some form of control, whether by visualizing through drawing or gaining a better understanding of themselves. Adults influence these images, too, and their participation in the act of drawing influences the children’s ability to have power. Understanding authors’ descriptions of these characters and their creativity gives insight into how the audience develops mental images of the characters and their drawings, which is the ultimate form of control in literature for children.","abstract_html":"In children’s literature, control is a recurring theme. Children try to find power however they can, but they are under control of adults. Since they are characters, though, the author has complete control of them, because he creates them. Creation is a form of power, then, and child characters can share in the control through the act of drawing. Readers can see this chair of power in the children’s fantasy books Skellig by David Almond, Coraline by Neil Gaiman, Zel by Donna Jo Napoli, and The Little Prince by Antoine de Saint-Exupery. In each of these books, the child characters are able to explore surroundings and events through the act of drawing. The children ultimately find some form of control, whether by visualizing through drawing or gaining a better understanding of themselves. Adults influence these images, too, and their participation in the act of drawing influences the children’s ability to have power. Understanding authors’ descriptions of these characters and their creativity gives insight into how the audience develops mental images of the characters and their drawings, which is the ultimate form of control in literature for children.","abstract_has_math":false,"creators":["Hudgens, Tracy M."],"institution":null,"degree_name":"Master of Arts in English","degree_level":"Masters","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Mark Smith"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2006,"date_issued":"2006-05-01T07:00:00Z","date_published":"2006-05-01T07:00:00Z","updated_at":"2026-07-24T03:16:06Z","subjects":["children's literature","young adult literature","creativity","David Almond","Neil Gaiman","Donna Jo Napoli","Antoine de Saint-Exupery","English Language and Literature"],"languages":[],"rights":["© Tracy M. Hudgens"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://bearworks.missouristate.edu/theses/1082","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Mark Smith"]},{"key":"dc:creator","label":"Author","values":["Hudgens, Tracy M."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in English"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["children's literature","young adult literature","creativity","David Almond","Neil Gaiman","Donna Jo Napoli","Antoine de Saint-Exupery","English Language and Literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© Tracy M. Hudgens"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://bearworks.missouristate.edu/theses/1082"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In children’s literature, control is a recurring theme. Children try to find power however they can, but they are under control of adults. Since they are characters, though, the author has complete control of them, because he creates them. Creation is a form of power, then, and child characters can share in the control through the act of drawing. Readers can see this chair of power in the children’s fantasy books Skellig by David Almond, Coraline by Neil Gaiman, Zel by Donna Jo Napoli, and The Little Prince by Antoine de Saint-Exupery. In each of these books, the child characters are able to explore surroundings and events through the act of drawing. The children ultimately find some form of control, whether by visualizing through drawing or gaining a better understanding of themselves. Adults influence these images, too, and their participation in the act of drawing influences the children’s ability to have power. Understanding authors’ descriptions of these characters and their creativity gives insight into how the audience develops mental images of the characters and their drawings, which is the ultimate form of control in literature for children."]},{"key":"dc:title","label":"Title","values":["Controlling Creativity: The Power Of Drawing In Children's Literature"]}]}],"canonical_facts":{"dc:contributor":["Mark Smith"],"dc:creator":["Hudgens, Tracy M."],"dc:description.abstract":["In children’s literature, control is a recurring theme. Children try to find power however they can, but they are under control of adults. Since they are characters, though, the author has complete control of them, because he creates them. Creation is a form of power, then, and child characters can share in the control through the act of drawing. Readers can see this chair of power in the children’s fantasy books Skellig by David Almond, Coraline by Neil Gaiman, Zel by Donna Jo Napoli, and The Little Prince by Antoine de Saint-Exupery. In each of these books, the child characters are able to explore surroundings and events through the act of drawing. The children ultimately find some form of control, whether by visualizing through drawing or gaining a better understanding of themselves. Adults influence these images, too, and their participation in the act of drawing influences the children’s ability to have power. Understanding authors’ descriptions of these characters and their creativity gives insight into how the audience develops mental images of the characters and their drawings, which is the ultimate form of control in literature for children."],"dc:identifier":["https://bearworks.missouristate.edu/theses/1082"],"dc:rights":["© Tracy M. Hudgens"],"dc:subject":["children's literature","young adult literature","creativity","David Almond","Neil Gaiman","Donna Jo Napoli","Antoine de Saint-Exupery","English Language and Literature"],"dc:title":["Controlling Creativity: The Power Of Drawing In Children's Literature"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Arts in English"]},"updated_at":"2026-07-24T03:16:06Z"}