{"id":{"repo_id":"mo-state","oai_identifier":"oai:bearworks.missouristate.edu:theses-1981"},"canonical_url":"https://search.dev.ndltd.org/etd/mo-state/oai:bearworks.missouristate.edu:theses-1981","repository":{"repo_id":"mo-state","name":"Missouri State University","base_url":"https://bearworks.missouristate.edu/do/oai/"},"display":{"title":"The Serpent: Examination, Exploration, Evaluation, 1976","abstract":"The Serpent is a unique production as it is predominately an ensemble endeavor. The original creation of the play evolved through a company of actors called the Open Theatre under the direction of Joseph Chaikin. Jean-Claude van Itallie is responsible for the final verbal framework. This text was written after lengthy involvement with van Itallie's Open Theatre and the improvisations and exercises they geared to Genesis from the Bible. Together, playwright, director and company explored images, motifs and themes to be expressed in this living theatre experience. The Serpent is called a ceremony primarily because of its strong bond with the audience. In a ceremony, the audience and actor combine in a collaborative effort toward communication. This production, therefore, became not only an experimental enterprise for the thesis director, but also for the community of actors and audience.","abstract_html":"The Serpent is a unique production as it is predominately an ensemble endeavor. The original creation of the play evolved through a company of actors called the Open Theatre under the direction of Joseph Chaikin. Jean-Claude van Itallie is responsible for the final verbal framework. This text was written after lengthy involvement with van Itallie's Open Theatre and the improvisations and exercises they geared to Genesis from the Bible. Together, playwright, director and company explored images, motifs and themes to be expressed in this living theatre experience. The Serpent is called a ceremony primarily because of its strong bond with the audience. In a ceremony, the audience and actor combine in a collaborative effort toward communication. This production, therefore, became not only an experimental enterprise for the thesis director, but also for the community of actors and audience.","abstract_has_math":false,"creators":["Stoyke, Christine E."],"institution":null,"degree_name":"Master of Arts","degree_level":"Masters","degree_discipline":"Theatre and Dance","degree_department":null,"school":null,"contributors":["Robert Bradley"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1976,"date_issued":"1976-01-01T08:00:00Z","date_published":"1976-01-01T08:00:00Z","updated_at":"2026-07-24T03:16:00Z","subjects":["Theatre and Performance Studies"],"languages":[],"rights":["© Christine E. 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Stoyke"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://bearworks.missouristate.edu/theses/980"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The Serpent is a unique production as it is predominately an ensemble endeavor. The original creation of the play evolved through a company of actors called the Open Theatre under the direction of Joseph Chaikin. Jean-Claude van Itallie is responsible for the final verbal framework. This text was written after lengthy involvement with van Itallie's Open Theatre and the improvisations and exercises they geared to Genesis from the Bible. Together, playwright, director and company explored images, motifs and themes to be expressed in this living theatre experience. The Serpent is called a ceremony primarily because of its strong bond with the audience. In a ceremony, the audience and actor combine in a collaborative effort toward communication. This production, therefore, became not only an experimental enterprise for the thesis director, but also for the community of actors and audience."]},{"key":"dc:title","label":"Title","values":["The Serpent: Examination, Exploration, Evaluation, 1976"]}]}],"canonical_facts":{"dc:contributor":["Robert Bradley"],"dc:creator":["Stoyke, Christine E."],"dc:description.abstract":["The Serpent is a unique production as it is predominately an ensemble endeavor. The original creation of the play evolved through a company of actors called the Open Theatre under the direction of Joseph Chaikin. Jean-Claude van Itallie is responsible for the final verbal framework. This text was written after lengthy involvement with van Itallie's Open Theatre and the improvisations and exercises they geared to Genesis from the Bible. Together, playwright, director and company explored images, motifs and themes to be expressed in this living theatre experience. The Serpent is called a ceremony primarily because of its strong bond with the audience. In a ceremony, the audience and actor combine in a collaborative effort toward communication. This production, therefore, became not only an experimental enterprise for the thesis director, but also for the community of actors and audience."],"dc:identifier":["https://bearworks.missouristate.edu/theses/980"],"dc:rights":["© Christine E. Stoyke"],"dc:subject":["Theatre and Performance Studies"],"dc:title":["The Serpent: Examination, Exploration, Evaluation, 1976"],"thesis:degree_discipline":["Theatre and Dance"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T03:16:00Z"}