{"id":{"repo_id":"mo-state","oai_identifier":"oai:bearworks.missouristate.edu:theses-1324"},"canonical_url":"https://search.dev.ndltd.org/etd/mo-state/oai:bearworks.missouristate.edu:theses-1324","repository":{"repo_id":"mo-state","name":"Missouri State University","base_url":"https://bearworks.missouristate.edu/do/oai/"},"display":{"title":"Vietnam Voices: a Comparative Analysis of Vietnam Veteran Narratives","abstract":"This thesis utilizes a narrative criticism to examine the significant narrative elements in Vietnam veteran survivor narratives. the narratives within Al Santoli's Everything we had, Wallace Terry's Bloods, and Lynda Van Devanter's Home before morning are used as representative narratives for the White soldiers, Black soldiers, and women, respectively. This thesis compares the narratives on the basis of gender and racial issues. It was found that each narrative group discussed problems assimilating back into American society resulting from participation in Vietnam. The narratives of black solders exhibited a predominant theme of racial discrimination in the military, but the narrative by Van Devanter did not discuss any problems with gender discrimination.","abstract_html":"This thesis utilizes a narrative criticism to examine the significant narrative elements in Vietnam veteran survivor narratives. the narratives within Al Santoli's Everything we had, Wallace Terry's Bloods, and Lynda Van Devanter's Home before morning are used as representative narratives for the White soldiers, Black soldiers, and women, respectively. This thesis compares the narratives on the basis of gender and racial issues. It was found that each narrative group discussed problems assimilating back into American society resulting from participation in Vietnam. The narratives of black solders exhibited a predominant theme of racial discrimination in the military, but the narrative by Van Devanter did not discuss any problems with gender discrimination.","abstract_has_math":false,"creators":["Kneeshaw, Daniel R."],"institution":null,"degree_name":"Master of Arts in Communication","degree_level":"Masters","degree_discipline":"Communication","degree_department":null,"school":null,"contributors":["John Fritch"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1998,"date_issued":"1998-05-01T07:00:00Z","date_published":"1998-05-01T07:00:00Z","updated_at":"2026-07-24T03:15:23Z","subjects":["Communication"],"languages":[],"rights":["© Daniel R Kneeshaw"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://bearworks.missouristate.edu/theses/323","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["John Fritch"]},{"key":"dc:creator","label":"Author","values":["Kneeshaw, Daniel R."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Communication"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in Communication"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Communication"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© Daniel R Kneeshaw"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://bearworks.missouristate.edu/theses/323"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis utilizes a narrative criticism to examine the significant narrative elements in Vietnam veteran survivor narratives. the narratives within Al Santoli's Everything we had, Wallace Terry's Bloods, and Lynda Van Devanter's Home before morning are used as representative narratives for the White soldiers, Black soldiers, and women, respectively. This thesis compares the narratives on the basis of gender and racial issues. It was found that each narrative group discussed problems assimilating back into American society resulting from participation in Vietnam. The narratives of black solders exhibited a predominant theme of racial discrimination in the military, but the narrative by Van Devanter did not discuss any problems with gender discrimination."]},{"key":"dc:title","label":"Title","values":["Vietnam Voices: a Comparative Analysis of Vietnam Veteran Narratives"]}]}],"canonical_facts":{"dc:contributor":["John Fritch"],"dc:creator":["Kneeshaw, Daniel R."],"dc:description.abstract":["This thesis utilizes a narrative criticism to examine the significant narrative elements in Vietnam veteran survivor narratives. the narratives within Al Santoli's Everything we had, Wallace Terry's Bloods, and Lynda Van Devanter's Home before morning are used as representative narratives for the White soldiers, Black soldiers, and women, respectively. This thesis compares the narratives on the basis of gender and racial issues. It was found that each narrative group discussed problems assimilating back into American society resulting from participation in Vietnam. The narratives of black solders exhibited a predominant theme of racial discrimination in the military, but the narrative by Van Devanter did not discuss any problems with gender discrimination."],"dc:identifier":["https://bearworks.missouristate.edu/theses/323"],"dc:rights":["© Daniel R Kneeshaw"],"dc:subject":["Communication"],"dc:title":["Vietnam Voices: a Comparative Analysis of Vietnam Veteran Narratives"],"thesis:degree_discipline":["Communication"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Arts in Communication"]},"updated_at":"2026-07-24T03:15:23Z"}