Elizabeth Inchbald's Role in Eighteenth-Century Dialogic: the Complex of Utterances in I'Ll Tell You What! and Everyone Has His Fault

Elizabeth Inchbald has long been assumed to hold the same radical, subversive position, in what M.M. Bakhtin calls the "dialogic," as her late eighteenth-century contemporaries Baillie, Wollstonecraft, and Edgeworth. This study will show that such assumptions about a radical role for Inchbald do not take into account the complexity of utterances in her writing. Two typical plays, I'll Tell You What (1785) and Everyone Has His Fault (1793), represent Inchbald's voices in the dialogic of eighteenth-century England. We will discern by examination of these plays that Inchbald's voice in the dialogic is a voice supporting limited freedom for women: freedom providing women an opportunity to make wise choices in husbands and to run a household, but would not offer women a place in which to household, but would not offer women a place in which to discuss and argue points of politics and philosophy in the style of coffee house and club spheres that contructed the public realm of thought throughout the late eighteenth century. Analysis of the female characters in the plays will demonstrate that Inchbald's role in the dialogic lies between the extremes of a supporter of traditional female roles and a radical mover for women's rights.

Name thesis:degree_name

Master of Arts in English

Level thesis:degree_level

Masters

Discipline thesis:degree_discipline

English

Year

1994

Author dc:creator

• Head, Lora D.

Contributors dc:contributor

• William Burling

• English Language and Literature

Statement dc:rights

• © Lora D Head

Repository record dc:identifier

https://bearworks.missouristate.edu/theses/286

OAI identifier oai:identifier

oai:bearworks.missouristate.edu:theses-1287