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Missouri State University

Gestalt Psychology as Applied to Interpreters Theatre

Abstract

dc:description.abstract

The purpose of this paper is to investigate the relevant areas of the Gestalt Psychology that can be utilized within the theatre of the interpreter and to apply various methods of Gestalt Psychology to interpreters theatre. The assumption implied is that through a knowledge of these concepts, they be used not only in therory, but in practice, so that the experimentation of Gestalt in interpreters theatre will be a continuous process and not an end in itself. Through a knowledge of sensory reinforcement the reader can digest and interpret to the audience the meaning of literature as intended by the author. The use of images, the interdependence of the senses, the relation of one sense to the total pattern projected, and the reinforcement of one sense to another are the tools of the interpreter as he projects a configuration of the senses to an audience. Patterns of suggestion communicated to the audience are made through the reader's perception of the material. His sensual, intellectual, and emotional response to the literature should be interpreted in such a way that the audience cannot sit back and be entertained, but must enter into this art form for it to be complete. The rhythm of literature comes alive when the psychology of gesture is understood and applied. Overt, covert, non-verbal and presymbolic gestures are the tools available to the interpreters. The configuration of gesture is paramount in interpretation if the audience is to experience literature. A worthwhile text is elevated through the use of the imagination of audience, director, and interpreter when the principles of movement and motion are practiced. No interpretation has to be static or limited to a particular area if the literature is extended into the mind of the audience. To make the theatre of the interpreter as exciting and stimulating as possible, one should lean upon the theories of Gestalt.

Degree

thesis:*
Name thesis:degree_name
Master of Arts in Communication
Level thesis:degree_level
Masters
Discipline thesis:degree_discipline
Communication
Year
1972

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Ten Eyck, Judith Ann
Contributors dc:contributor
  • Holt Spicer

Subjects

dc:subject × 1

Rights

dc:rights
Statement dc:rights
  • © Judith Ann Ten Eyck

Identifiers

dc:identifier.*
Repository record dc:identifier
https://bearworks.missouristate.edu/theses/180
OAI identifier oai:identifier
oai:bearworks.missouristate.edu:theses-1181

Chain of custody

source
Harvested from
Missouri State University
Base URL
bearworks.missouristate.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Ten Eyck, Judith Ann. Gestalt Psychology as Applied to Interpreters Theatre. Masters thesis, 1972. https://bearworks.missouristate.edu/theses/180