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Massachusetts Institute of Technology

You don't see what I see : multiple publics and public policy in a Los Angeles gang war

Abstract

dc:description.abstract

An analytical concept of multiple publics is presented and applied to a case study of a gang conflict in Venice, California during 1993-1994. The concept of multiple publics is based on the assumption that individuals have many identities that vary in salience or relevance across situations. Publics represent groups based on the shared salience of identity group boundaries in a particular situation. Each public shares a unique interpretive lens through which they read events, actions and information. The composition and constellation of publics can change as situations change or are reframed. Over ten-month period, what was commonly referred to as a "gang war" broke out between two predominantly Latino gangs and one African-American gang. Seventeen people were killed and over 50 were injured. Of those killed, less than one-third were claimed as members the rival gangs in conflict. This gang-generated conflict led to racial tensions and polarization within the larger geographic neighborhood. An examination of the conflict through the lens of multiple publics reveals a series of shifts in the major line of cleavage over time-from persons to families to gangs to race and back to gangs. Shifts in the major line of cleavage represented changes in the relative salience of identity group boundaries among the many individuals involved or affected by the war. With each shift during its escalation, the intensity of conflict grew while the size of constituencies and publics were enlarged. Conversely, changing conditions and appeals to alternative identities led to shifts in salient group boundaries that opened opportunities for peace negotiations between two of the three gangs in conflict. The analysis of multiple publics in the case study shows four practices that may be useful in addressing similar conflicts. They are described as: 1) mapping multiple publics and multiple identities, 2) seeing from the lens of multiple publics, 3) reframing situations and opening dialogue, and 4) situationally identifying moral communities to which one is obliged.

Degree

thesis:*
Department dc:contributor.department
Massachusetts Institute of Technology. Department of Urban Studies and Planning
Grantor dc:publisher
Massachusetts Institute of Technology
Year dc:date.issued
1998

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Umemoto, Karen Nora, 1958-
Advisor dc:contributor.advisor
  • Martin Rein.

Subjects

dc:subject × 1

Rights

dc:rights
Statement dc:rights
  • M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/1721.1/9639
OAI identifier oai:identifier
oai:dspace.mit.edu:1721.1/9639

Chain of custody

source
Harvested from
MIT
Base URL
dspace.mit.edu/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Umemoto, Karen Nora, 1958-. You don't see what I see : multiple publics and public policy in a Los Angeles gang war. Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/9639