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Massachusetts Institute of Technology

Neural correlates of pitch and roughness : toward the neural code for melody and harmony

Abstract

dc:description.abstract

The universality of many aspects of music, such as octave-based tuning systems and the use of dissonance and consonance to create harmonic tension and resolution, suggests that their perception may have fundamental neurophysiological bases. Thus, music provides a natural set of stimuli and associated percepts with which the auditory system can be studied. Here, we seek correlates of pitch, the essential element of melody, and roughness, a primary component of dissonance, in responses of single auditory neurons in anesthetized cats. Pitch, the perceived highness or lowness of sound, is generally thought to be based on a neurophysiological representation of frequency. Because neural responses (spikes) phaselock to low stimulus frequencies, interspike intervals (ISIs) reflect the stimulus period and can be used to estimate frequency. To rigorously test this potential code for pitch, we look for correlates of pitch under conditions where the percept deviates from a simple function of frequency. One such condition is the octave enlargement effect, listeners' preference for pure-tone octave ratios slightly greater than 2:1. Another is the pitch of a complex tone missing the fundamental frequency: the pitch matches that of the missing fundamental even when different harmonics are presented to opposite ears. We show that a correlate of the octave enlargement effect exists in ISIs of auditory nerve (AN) fibers and a correlate of the missing-fundamental pitch exists in ISIs of neurons in the inferior colliculus, the principal auditory nucleus of the midbrain. Results also reveal greater degradation of pitch representation at the midbrain compared to the periphery.

Degree

thesis:*
Department dc:contributor.department
Harvard University--MIT Division of Health Sciences and Technology.
Grantor dc:publisher
Massachusetts Institute of Technology
Year dc:date.issued
2001

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • McKinney, Martin Franciscus, 1964-
Advisor dc:contributor.advisor
  • Bertrand Delgutte.

Subjects

dc:subject × 1

Rights

dc:rights
Statement dc:rights
  • M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/1721.1/8347
OAI identifier oai:identifier
oai:dspace.mit.edu:1721.1/8347

Chain of custody

source
Harvested from
MIT
Base URL
dspace.mit.edu/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

McKinney, Martin Franciscus, 1964-. Neural correlates of pitch and roughness : toward the neural code for melody and harmony. Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/8347