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Massachusetts Institute of Technology

The aviator's (re)vision of the world : an aesthetics of ascension in Norman Bel Geddes's Futurama

Abstract

dc:description.abstract

This dissertation considers a new ontology of vision brought on by the advent of human flight. It focuses on the project that best reflects this new vision: the Futurama, an exhibit designed by the American industrial designer Norman Bel Geddes for the 1939 New York World's Fair. The Futurama's status as the cause celebre of the 1939 World's Fair derived largely from its theatrical technique of seeing: spectators literally gazed down upon an American utopia as if they were aviators in a low-flying airplane. My analysis contextualizes Bel Geddes's Futurama within a utopian vision prevalent among urbanists, architects, artists, novelists, and science-fiction writers during the 1920s and 1930s. This "golden age" of American aviation was marked by the fantasy that the vision of the world from above would usher in new spatial dynamics from which would emerge the city of the future. I argue that Bel Geddes's method of seeing the Futurama from a simulated airplane revealed as much about a culturally valorized aviator hero as it did about the utopia itself. By demonstrating how the Futurama spectator's aerial viewing became enmeshed in broader 20th-century modernist visuality, my study reveals the crucial presence of an aesthetics of ascension in the avant-garde imagination. The Futurama was one of those modernist utopias that ideologues like Nietzsche, Wells, and arch-modernist Le Corbusier visualized through the eyes of an ascending protagonist. Histories of modernism have often overlooked the exalted presence of this protagonist in favor of focusing on the aesthetic object itself.

Degree

thesis:*
Department dc:contributor.department
Massachusetts Institute of Technology. Dept. of Architecture.
Grantor dc:publisher
Massachusetts Institute of Technology
Year dc:date.issued
2002

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Morshed, Adnan Zillur
Advisor dc:contributor.advisor
  • Stanford Anderson.

Subjects

dc:subject × 1

Rights

dc:rights
Statement dc:rights
  • M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:dspace.mit.edu:1721.1/8314

Chain of custody

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MIT
Base URL
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Last updated
2026-07-22
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citation

Morshed, Adnan Zillur. The aviator's (re)vision of the world : an aesthetics of ascension in Norman Bel Geddes's Futurama. Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/8314