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Massachusetts Institute of Technology

An approach to a regional architecture at the mouth of the Ganges

Abstract

dc:description.abstract

The retreat of Colonial rulers and the emergence of a new self identity among many of the once colonized nations of Asia, Africa and Latin America is one of the significant features of the current century. In the field of architecture, the expression of this independent spirit was delayed by the tenets of the Modem Movement that was sweeping the globe at about the same time. Now that this movement has run its course, leaving very little that is positive in the developing countries, architects from these nations are turning to their own history and culture to find guidelines for their work. As an architect from Bangladesh, that land where the mighty Ganges meets the sea, I feel a desire to do the same. The search for a basis of architecture in the spirit of Bangladesh can quickly become a progressively diverging inquiry encompassing questions like what is the purpose of architecture, what is the spirit of Bangladesh and why an architecture in the spirit of Bangladesh? Such an open-ended investigation, much beyond the scope of this thesis, has been given a manageable boundary by focussing on a museum design at the bank of the river Burhiganga in Dhaka, Bangladesh. A specific site offers the advantage of a much more tangible past and present to relate to and project a future from. The challenge was to connect these three timeframes without being simplistic. The zamindar-bari of Rupial, currently lying abandoned on the site, evokes the memory of a past typified by aristocratic rule. The life of the common people that permeates the site and its surroundings today is taken as a symbol of democratic spirit that one hopes would reign the present and the future. The Museum building sets up a dialogue between aristocracy and democracy where the later supersede the former. The process does not destroy the old but, rather, transforms it to serve the new; the past belongs to the present as the present to the future.

Degree

thesis:*
Department dc:contributor.department
Massachusetts Institute of Technology. Department of Architecture.
Grantor dc:publisher
Massachusetts Institute of Technology
Year dc:date.issued
1987

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Javed, Shamim
Advisor dc:contributor.advisor
  • William L. Porter.

Subjects

dc:subject × 1

Rights

dc:rights
Statement dc:rights
  • M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/1721.1/78966
OAI identifier oai:identifier
oai:dspace.mit.edu:1721.1/78966

Chain of custody

source
Harvested from
MIT
Base URL
dspace.mit.edu/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Javed, Shamim. An approach to a regional architecture at the mouth of the Ganges. Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/78966