{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/77663"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/77663","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Plans, pans, and six grand in the can","abstract":"Making an unscripted documentary (cinema verite) film is a kind of exploration into uncharted territory. It was my experience in making \"Marv Cutler and the Little Prince of Rock\" that preconceptions in shooting a scene were rarely realized. The footage returned by the lab, having been shot by me in a state of instant surprise, often had a puzzle quality which would then be reworked into a logical scene which was usually a restructuring, rather than a reporting of the event. Thus the film acquired a shape molded by feasibility, logistics, and accessibility in shooting. 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