{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/70662"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/70662","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Site and still life","abstract":"This thesis uses the still life as a medium for investigating architecture and the city . An analogy is established between what the thesis defines as still life and an urban composition (a site in East Cambridge). Through this analogy a specific understanding of architecture, site, and still life is explored. The analogy is used as a descriptive tool allowing the painting subject matter to be treated architecturally and architecture to be treated in a painterly manner. The site is analyzed as a still life to guide operational moves throughout the design exercise and to increase the experience of the site as both subject and object.","abstract_html":"This thesis uses the still life as a medium for investigating architecture and the city . An analogy is established between what the thesis defines as still life and an urban composition (a site in East Cambridge). Through this analogy a specific understanding of architecture, site, and still life is explored. The analogy is used as a descriptive tool allowing the painting subject matter to be treated architecturally and architecture to be treated in a painterly manner. The site is analyzed as a still life to guide operational moves throughout the design exercise and to increase the experience of the site as both subject and object.","abstract_has_math":false,"creators":["Willey, Guy Phillip"],"institution":"Massachusetts Institute of Technology","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"Massachusetts Institute of Technology. Dept. of Architecture.","school":null,"contributors":[],"advisors":["William Porter."],"committee_chairs":[],"committee_members":[],"year":1993,"date_issued":"1993","date_published":"1993","updated_at":"2026-07-22T22:21:34Z","subjects":["Architecture."],"languages":["eng"],"rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."],"rights_urls":["http://dspace.mit.edu/handle/1721.1/7582"],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/1721.1/70662","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["William Porter."]},{"key":"dc:contributor.department","label":"Department","values":["Massachusetts Institute of Technology. Dept. of Architecture."]},{"key":"dc:contributor.other","label":"Dc Contributor Other","values":["Massachusetts Institute of Technology. Dept. of Architecture."]},{"key":"dc:creator","label":"Author","values":["Willey, Guy Phillip"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2012-05-15T21:01:40Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2012-05-15T21:01:40Z"]},{"key":"dc:date.issued","label":"Date","values":["1993"]},{"key":"dc:publisher","label":"Institution","values":["Massachusetts Institute of Technology"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Architecture."]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://dspace.mit.edu/handle/1721.1/7582"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1721.1/70662"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1993.","Includes bibliographical references (p. 59)."]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesis uses the still life as a medium for investigating architecture and the city . An analogy is established between what the thesis defines as still life and an urban composition (a site in East Cambridge). Through this analogy a specific understanding of architecture, site, and still life is explored. The analogy is used as a descriptive tool allowing the painting subject matter to be treated architecturally and architecture to be treated in a painterly manner. The site is analyzed as a still life to guide operational moves throughout the design exercise and to increase the experience of the site as both subject and object."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["M.Arch."]},{"key":"dc:title","label":"Title","values":["Site and still life"]}]}],"canonical_facts":{"dc:contributor.advisor":["William Porter."],"dc:contributor.department":["Massachusetts Institute of Technology. Dept. of Architecture."],"dc:contributor.other":["Massachusetts Institute of Technology. Dept. of Architecture."],"dc:creator":["Willey, Guy Phillip"],"dc:date.accessioned":["2012-05-15T21:01:40Z"],"dc:date.available":["2012-05-15T21:01:40Z"],"dc:date.issued":["1993"],"dc:description":["Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1993.","Includes bibliographical references (p. 59)."],"dc:description.abstract":["This thesis uses the still life as a medium for investigating architecture and the city . An analogy is established between what the thesis defines as still life and an urban composition (a site in East Cambridge). Through this analogy a specific understanding of architecture, site, and still life is explored. The analogy is used as a descriptive tool allowing the painting subject matter to be treated architecturally and architecture to be treated in a painterly manner. The site is analyzed as a still life to guide operational moves throughout the design exercise and to increase the experience of the site as both subject and object."],"dc:description.degree":["M.Arch."],"dc:identifier.uri":["http://hdl.handle.net/1721.1/70662"],"dc:language.iso":["eng"],"dc:publisher":["Massachusetts Institute of Technology"],"dc:rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."],"dc:rights.uri":["http://dspace.mit.edu/handle/1721.1/7582"],"dc:subject":["Architecture."],"dc:title":["Site and still life"],"dc:type":["Thesis"]},"updated_at":"2026-07-22T22:21:34Z"}