{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/70384"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/70384","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"When the Invisible Punishing Machine is everywhere ... : the mechanism of social control (mass incarceration, institutionalized racism, slavery and repression) in the USA shapes the individual as well as the social space","abstract":"Framed by the following poetic statement: \"When the Invisible Punishing Machine is everywhere, creeping into my body, life and spaces, it is like living in a colossal architectural nightmare\", this thesis serves first as a testimony of the author's personal stories. Second it illuminates the machine as a punitive and disciplinary system affecting the body in visceral ways (although the author resists its power by inventing critical and artistic counter narratives that are described). Thirdly, it analyzes the nightmarish machine, the genesis of the machine and how the machine as a mega structure infiltrates the institutional systems in this country. Therefore, the purpose of this written thesis is to interrogate, reveal, and ultimately work to transform radically the intangible effects of the invisible punishing machine on our bodies, minds and souls. Once we have remedied ourselves of the effects of this omnipresent force, we can begin to eliminate the institutions in this country that perpetrate brutal repression and inequality. This thesis uses various methodologies including ethnography, social theory, artistic conceptual strategies and a methodology created specifically for the project: \"The Paradoxical and Interrogative Remedies\" (PIR). This is an analytical and artistic method to communicate meaningful bio-political issues and encompasses radical live action, performance, multimedia installation, documentation and the production of tactical objects. PIR is applied to artistic research, activism, personal therapy and radical pedagogy. The new methodology of criticality developed through these projects will contribute to the fields of contemporary art, social sciences and prison activism. This \"Written Thesis\" serves to distill ideas culled from a body of personal stories (\"Check Points\"), artistic works (Glaciers Under My Skin), and historical research (\"The Colossal Architectural Nightmare\"). The distilled concepts from this written thesis are being used to shape the ongoing artistic thesis project \"When the Invisible Punishing Machine is Everywhere: The Weight I Carry With Me.\"","abstract_html":"Framed by the following poetic statement: "When the Invisible Punishing Machine is everywhere, creeping into my body, life and spaces, it is like living in a colossal architectural nightmare", this thesis serves first as a testimony of the author's personal stories. Second it illuminates the machine as a punitive and disciplinary system affecting the body in visceral ways (although the author resists its power by inventing critical and artistic counter narratives that are described). Thirdly, it analyzes the nightmarish machine, the genesis of the machine and how the machine as a mega structure infiltrates the institutional systems in this country. Therefore, the purpose of this written thesis is to interrogate, reveal, and ultimately work to transform radically the intangible effects of the invisible punishing machine on our bodies, minds and souls. Once we have remedied ourselves of the effects of this omnipresent force, we can begin to eliminate the institutions in this country that perpetrate brutal repression and inequality. This thesis uses various methodologies including ethnography, social theory, artistic conceptual strategies and a methodology created specifically for the project: "The Paradoxical and Interrogative Remedies" (PIR). This is an analytical and artistic method to communicate meaningful bio-political issues and encompasses radical live action, performance, multimedia installation, documentation and the production of tactical objects. PIR is applied to artistic research, activism, personal therapy and radical pedagogy. The new methodology of criticality developed through these projects will contribute to the fields of contemporary art, social sciences and prison activism. This "Written Thesis" serves to distill ideas culled from a body of personal stories ("Check Points"), artistic works (Glaciers Under My Skin), and historical research ("The Colossal Architectural Nightmare"). The distilled concepts from this written thesis are being used to shape the ongoing artistic thesis project "When the Invisible Punishing Machine is Everywhere: The Weight I Carry With Me."","abstract_has_math":false,"creators":["Negrete Alfaro, Mabel Alejandra"],"institution":"Massachusetts Institute of Technology","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"Massachusetts Institute of Technology. Dept. of Architecture.","school":null,"contributors":[],"advisors":["Ute Meta Bauer."],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-07-22T22:21:24Z","subjects":["Architecture."],"languages":["eng"],"rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."],"rights_urls":["http://dspace.mit.edu/handle/1721.1/7582"],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/1721.1/70384","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Ute Meta Bauer."]},{"key":"dc:contributor.department","label":"Department","values":["Massachusetts Institute of Technology. Dept. of Architecture."]},{"key":"dc:contributor.other","label":"Dc Contributor Other","values":["Massachusetts Institute of Technology. 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They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://dspace.mit.edu/handle/1721.1/7582"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1721.1/70384"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, February 2012.","Cataloged from PDF version of thesis.","Includes bibliographical references (p. 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Once we have remedied ourselves of the effects of this omnipresent force, we can begin to eliminate the institutions in this country that perpetrate brutal repression and inequality. This thesis uses various methodologies including ethnography, social theory, artistic conceptual strategies and a methodology created specifically for the project: \"The Paradoxical and Interrogative Remedies\" (PIR). This is an analytical and artistic method to communicate meaningful bio-political issues and encompasses radical live action, performance, multimedia installation, documentation and the production of tactical objects. PIR is applied to artistic research, activism, personal therapy and radical pedagogy. The new methodology of criticality developed through these projects will contribute to the fields of contemporary art, social sciences and prison activism. This \"Written Thesis\" serves to distill ideas culled from a body of personal stories (\"Check Points\"), artistic works (Glaciers Under My Skin), and historical research (\"The Colossal Architectural Nightmare\"). The distilled concepts from this written thesis are being used to shape the ongoing artistic thesis project \"When the Invisible Punishing Machine is Everywhere: The Weight I Carry With Me.\""]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["S.M."]},{"key":"dc:title","label":"Title","values":["When the Invisible Punishing Machine is everywhere ... : the mechanism of social control (mass incarceration, institutionalized racism, slavery and repression) in the USA shapes the individual as well as the social space"]}]}],"canonical_facts":{"dc:contributor.advisor":["Ute Meta Bauer."],"dc:contributor.department":["Massachusetts Institute of Technology. Dept. of Architecture."],"dc:contributor.other":["Massachusetts Institute of Technology. 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Thirdly, it analyzes the nightmarish machine, the genesis of the machine and how the machine as a mega structure infiltrates the institutional systems in this country. Therefore, the purpose of this written thesis is to interrogate, reveal, and ultimately work to transform radically the intangible effects of the invisible punishing machine on our bodies, minds and souls. Once we have remedied ourselves of the effects of this omnipresent force, we can begin to eliminate the institutions in this country that perpetrate brutal repression and inequality. This thesis uses various methodologies including ethnography, social theory, artistic conceptual strategies and a methodology created specifically for the project: \"The Paradoxical and Interrogative Remedies\" (PIR). This is an analytical and artistic method to communicate meaningful bio-political issues and encompasses radical live action, performance, multimedia installation, documentation and the production of tactical objects. PIR is applied to artistic research, activism, personal therapy and radical pedagogy. The new methodology of criticality developed through these projects will contribute to the fields of contemporary art, social sciences and prison activism. This \"Written Thesis\" serves to distill ideas culled from a body of personal stories (\"Check Points\"), artistic works (Glaciers Under My Skin), and historical research (\"The Colossal Architectural Nightmare\"). The distilled concepts from this written thesis are being used to shape the ongoing artistic thesis project \"When the Invisible Punishing Machine is Everywhere: The Weight I Carry With Me.\""],"dc:description.degree":["S.M."],"dc:identifier.uri":["http://hdl.handle.net/1721.1/70384"],"dc:language.iso":["eng"],"dc:publisher":["Massachusetts Institute of Technology"],"dc:rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."],"dc:rights.uri":["http://dspace.mit.edu/handle/1721.1/7582"],"dc:subject":["Architecture."],"dc:title":["When the Invisible Punishing Machine is everywhere ... : the mechanism of social control (mass incarceration, institutionalized racism, slavery and repression) in the USA shapes the individual as well as the social space"],"dc:type":["Thesis"]},"updated_at":"2026-07-22T22:21:24Z"}